Greek Silver Didrachm of Rhodes in Gold Pendant

With trefoil mouth and integral ribbed handle, covered in a red slip with burnished surface; held in an antique wooden box crate. 1.72 kg, 28 cm



Collected by Miss Patience Townend, in the late 1950s. Thence by descent to the owner’s godmother. By gift to Mrs Lucy Manningham-Buller, circa 2002. Private collection, UK. Accompanied by a copy of a letter from Rupert Chapman, Curator of Levantine Antiquities, in the Middle Eastern Department at the British Museum, dated 4th March 2013, discussing the piece: ‘…there is no doubt in our minds that the piece is genuine, and that it dates to the eighth century B.C....the piece you have is a very fine one… any museum would be very happy to have such a fine example in its collection’. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13090-248974.

This object exemplifies the high-quality tableware produced during its historical period, intended for use in the wealthiest homes.

A horse and rider figure modelled in the round, standing on elongated stub legs, stout neck with stylised painted mane and coat detailing, waisted muzzle with raised almond-shaped eyes defined by painted roundels, solid colouring to the muzzle and short tail; rider represented by a torso and D-shaped head, arms reaching for the horse's neck and gripping its mane, painted detailing to the arms, hands and face. 206 grams, 15.5 cm wide

Fine condition.

London deceased estate, 1960s-1970s. Property of a Cambridgeshire, UK, gentleman. From the private collection of John Meredith, acquired since the 1990s; thence by descent.

Terracotta figurines of horse and rider were common grave offerings in Boeotia, northwest of Attica, particularly during the 6th century B.C. Representations of warriors on horseback were already diffused in the Geometric Period, and widely employed in Cyprus, in this same period. The image of our rider, although influenced by Cypriot designs, does not show typical Cypriot characteristics, and indeed his kausia cap suggests a northern Greek origin.

With a narrow basal ring, a flared rim, and painted circumferential bands. 49.2 grams, 63 mm



Private collection, Los Angeles, USA. Acquired on the American art market. European private collection.