Greek Silver Alexander the Great Drachm Pendant

D-shaped in profile with high-relief mask of a satyr within a looped frame; hanks of curling hair to the brow and temples with berries to the fillet, lentoid eyes, broad nose, curling moustache and beard; ledge below and arched ridge to the reverse; mounted on a custom-made stand. 6.77 kg total, 30 cm including stand



Acquired from Faustus Ancient Art Ltd, London, 1990. Private American collection. with Christie’s, London, 27 October 2009, no 9. Accompanied by copies of the relevant Christie's catalogue pages. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12062-217441.

The antefix belongs to the typical decorative scheme of alternating maenad and satyr head antefixes that were mainly produced in Cerveteri. Heads were often placed in temples and displayed identifying features such as wavy hair and large, almond-shaped lidded eyes, and were lavishly painted. These typologies of antefixes generally look quite similar and appear to have identical colour schemes with dark red skin, and with darker shades of red applied to the hair below the ears, on top of the head and inside the ears.

With circular body and raised rim, round central filling-hole flanked by cornucopiae; long broad nozzle with rounded spout-like termination; handle with three ribs. 62 grams, 10.5 cm



Collected from 1970-1999. From the collection of the late Mr S.M., London, UK.

The principal parts of a Graeco-Roman lamp were: a) the body or reservoir which contained the oil (infundibulum); the flat circular top (discus) on which the design was placed, sometimes with an ornamental rim; the edge (margo); the nozzle (rostrum, nasus, myxus) with a hole for the insertion of the wick (ellychnium); and the handle (ansa, manubrium,).

Anthropomorphic figures, some mounted on a ceramic stand; plank idol after the antique. 410 grams total, 6.1-12.9 cm



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.