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LOT 0575
Greek Sanguisuga Bronze Fibula
ITALIC, 7TH CENTURY B.C.
3 1/2 in. (166 grams, 89 mm).
A 'sanguisuga' (leech) fibula with hollow, vertically ribbed bow; integral coiled spring and ellipsoid catchplate; loose contents suggests an additional function as a rattle, perhaps in a cultic context; pin restored.
ProvenanceW. Rosenbaum, Ascona, before 1984.
Accompanied by a copy of an Art Loss Register certificate no.S00091285.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
See Hattatt, R., Brooches of Antiquity, Oxford, 1987, item 1355, for type.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Piriform carnelian centre with gold fittings, filigree loop handles. 3.64 grams, 30 mm
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Hellenistic Gold Wreath Leaves
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Comprising two sheet-gold leaf elements from a diadem, teach with dentilled end and impressed divergent bands. 0.31 grams total, 24-35 mm
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Hellenistic Terracotta Statuette of a Wreathed Young Woman
Late 4th-3rd century B.C.Estimate: £400 - 600 (‡+bp*)
Opening Bid: £180
Standing on a rectangular base, hair divided in regular stripes with voluminous locks, head slightly bowed, the bare arm resting on her right hip; the left leg is visible under the pleated undergarment chiton and slanted himation. 257 grams, 17.5 cm
Traces of white engobe and polychromy in the folds of the robe and on the base. The added chignon lost, otherwise intact.
Ex Belgian art market, 2020. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
The statuette finds comparisons among examples that can be dated between the 4th century and the middle of the 3rd century B.C. It shows some traces of the original polychromy, characterised by strongly contrasting hues, keeping in with the local style.