Greek, Roman and Western Asiatic Bronze Ring and Bezel Collection

Modelled in the round in the form of a ram lying with its legs folded beneath the body, head turned with hooked horns, collar to the neck with a large pellet pendant; ribbed suspension loop behind the shoulders, mounting lug beneath the trunk. 12.87 grams, 30 mm



Private collection, acquired on the European art market in 2002. Accompanied by a copy of an Art Loss Register certificate, 8 June 2004. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13204-249215.

The ram, a male symbol, was associated with various divinities. Turned into a ram as a child by Zeus, and a common sacrifice to the god, the ram was a symbol of Dionysus, which he shared with Aphrodite. Ram heads and pendants frequently occur in jewellery. In the animal kingdom, Eros favours the cockerel and the ram, both of which are indicative of sexual potency.

Each a profile ibex with head reversed, horn returned to attach at the neck, pellet eye, beaded ring-and-dot motif to the shoulder and hip; thick attachment loop to the reverse. 15.6 grams total, 34-34.2 mm



Acquired in the 1980s. Private collection, London, UK. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13253-252971.

It is possible to hypothesise that these two elements were bridle plaques, like the two wolf-shaped bridle plaques, in a similar position and style, found in the Kurgan of Pazyrik (Piotrowskij, 1987, p.107, no.137). Belt plaques with zoomorphic motifs illustrate not only the recognised unity of the zoomorphic art of the Steppes, but also the links between the Scythians and the eastern nomadic groups.

A decorative fitting with roaring mouth and protruding fangs and tongue, the whiskers depicted in raised radiating ridges, with lidded, elongated almond-shaped eyes and small, round ears; mounted on a custom-made display stand. 1.11 kg total, 17.5 cm including stand



with Christie’s, New York, 8 June 2001, no.58. Donati collection, Lugano, prior to 1982. Collection of Banca della Svizzera Italiana, Lugano, prior to 1986. Formerly in the Bourgknecht collection, Switzerland. Accompanied by Art Loss certificate no.S00123227. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.13230-249992.

This head was probably, as was the parallel head of the Barberini Tomb, originally attached to a magnificent bronze cauldron. These large cauldrons of hammered bronze were realised with the heads and necks of two lions and two gryphons attached to the rim. The cauldrons were spherical in form and rested on a stand.