Greek Red Variegated Gemstone with Lioness

Comprising four head fragments, one fragment of the upper torso of a male, and a bird fragment. 116 grams total, 37-72 mm



From the collection of a Cambridge, UK, gentleman, by direct descent from his father, who acquired the items in London in circa 1960.

With reserved herringbone band beneath the rim, wave pattern to be the baseline; Side A: young man with thyrsus and pendant streamer holding a phiale, a loose mantle draped from the elbows; Side B: head of a lady of fashion with white accents to her stephane and hair drawn up in a chignon, a volute and window before her. 1.11 kg, 23.2 cm wide



Acquired on the art market between the late 1990s and mid-2000s. Estate of the late Barry Paul Buxton (1944-2024), Oakham, Rutland. Acquired on the UK art market, 2025. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.13071-249285.

Bell kraters were commonly used in regions of ancient Italy for mixing and serving wine during communal gatherings, thanks to their wide shape and flared mouth. These vessels also served as artistic expressions, reflecting the cultural tastes of the time. The Chevron Group is the conventional name for a group of ancient Apulian red-figure vase painters who were active in Southern Italy between approximately 335-310 B.C. They are named for their distinctive use of a band of chevron patterns to encircle the rims of the small kraters (mixing vessels) they decorated.

Formed as a horse with a tall neck and splayed legs, a bearded rider figure to the rear; a marriage. 95 grams, 10.7 cm



From the collection of a Cambridge, UK, gentleman, by direct descent from his father, who acquired the items in London in circa 1960.