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LOT 0116
Greek Red-Figure Squat Lekythos Attributed to the Meidian Painter
ATTIC, CIRCA 420-400 B.C.
4 1/4 in. (95 grams, 10.9 cm).
Comprising a bulbous body with narrow neck and handle to the rear; radiating petals on the neck with a band of volute scrolls below, the body showing a female in a dynamic pose, dressed in an elaborate long dress and holding a plate of fruit with her left hand, a seated female before her; attributed to the Meidian Painter; some restoration. [No Reserve]
ProvenanceEx Prof. Dr Hans (1918-1984) and Dr Ines (1922-2013) Jucker, classical archaeologists, Bern, Switzerland.
with Galerie Rhéa, Zurich, Switzerland.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12645-236462.
Cf. CVA Geneva, 4.12,2; for a similar lekythos in Bruxelles Museum Nicole, H., Meidias et le style fleuri dans la ceramique attique, Genève, 1908, pl.VII,3.
FootnotesDancing women are a characteristic of the Meidian Painter. They are depicted as young women, wearing Doric costumes, earrings, pearls surmounting diadems, and golden bracelets, holding a patera and (probably originally here too) a thimiaterion.
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AUCTIONS:
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LOT 0116
Greek Red-Figure Squat Lekythos Attributed to the Meidian Painter
Sold for (Inc. bp): £715
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Greek and Byzantine Ceramic Oil Lamp Collection
5th century B.C.-6th century A.D.Sold for (Inc. bp): £169
Comprising: a squat oil lamp with wreath surrounding the large filler hole, radiating sun motif on the base; the two larger terracotta lamps with open reservoirs with a central cone open beneath, short nozzle. 473 grams total, 9.2-17.8 cm
Ex R.C. collection. Acquired by Galerie Rhéa, Zurich, from the above in 2010. -
Greek Terracotta Votive Head
Mediterranean, circa 700 B.C.Sold for (Inc. bp): £65
Bulbous head with stylised owl-like facial features, large applied pupils and ear; mounted on a custom-made display stand. 96 grams total, 46 mm (65 mm high including stand)
Acquired from Vanessa Purcell & Company, Manchester, UK, in 1993. From the collection of Mr & Mrs J.G.W. Lee, late Herefordshire collectors, their collection having been established from the 1990s. Accompanied by an original sales receipt. -
Greek Red-Figure Bell Krater with Warrior Funerary Offering Scene, Attributed to CA Painter
Campanian, 350-300 B.C.Sold for (Inc. bp): £5,980
Comprising a bell-shaped body with narrow stem and stepped pedestal foot, broad rim with square loop handles and palmettes beneath, frieze to sidewall: Side A: Oscan warrior with cuirass, helmet, shield and spear standing beside an altar with a female holding a patera in her extended hand, diadem in the other at her side; Side B: seated female with a patera and wreath facing a standing cloaked figure with thyrsus. 2.38 kg, 29.5 cm high
Private collection, Geneva, acquired in the late 1960s. Private collection, acquired in Geneva in 2000. Accompanied by collector's notes and old images. Accompanied by an original copy thermoluminescence analysis report no.QED1412/.SG-0602 from QED Laboratoire. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13219-249314.
The krater offers an interesting glimpse into the local life of Campania in the 4th century B.C. Particularly noteworthy is the depiction of the Oscan Samnite warrior, fully armed in the style of Campanian, Samnite, or Lucanian mercenaries, performing a funerary sacrifice. The depiction of the Chalcidian helmet, with its central crest and twin lateral plumes (geminae pinnae), dedicated to Mars, is extremely detailed. The style and the way in which the figures are realised, the conformation of the women, the details of the warrior, seem to point to the workshop of the CA Painter, a Campanian red-figure vase-painter whose name is unknown. Nevertheless, consistent individual characteristics of style suggest the existence of a unique artistic personality. Trendall called him the CA Painter because he was the chief painter in the first stage of Cumaean red-figure vase-painting, the initials standing for Cumaean (C), first stage (A).