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LOT 0066
Greek Red-Figure Kylix with Dancing Nymphs and Satyrs
ATTIC, 5TH CENTURY B.C.
14 5/8 in. (875 grams, 37 cm wide).
With short stem and broad bowl with carination at the shoulder; two strap handles with an ivy-leaf with tendrils and volutes underneath; the underside of the bowl with a frieze of four satyrs and four maenads performing a dance, the maenads dressed in fancy Ionian dress, long peplos and himation, and a kekrykephalos (hair net) on their heads, and holding a thyrsus in their right hands; the centre of the cup showing dancing Silenus and a nymph, dressed in a similar manner and holding a thyrsus, border of meanders and chequered squares surrounding; restored.
ProvenanceEx Dr Gonik and the late Mr Wirth, 1960-1970s.
Private collection, Switzerland.
Accompanied by an academic report by Dr Raffaele D’Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12573-232109.
Cf. the Harvard Art Museums, museum number 1959.124, for a similar kylix in Topper, K., The Imagery of the Athenian Symposium, Cambridge University Press, New York, 2012, p.55, fig. 22; see another similar example of such Attic red-figure deep-bowled kylix in the Cleveland Museum of Art, inv. no.1915.718 (Hinman B. Hurlbut Collection), also representing Satyrs and Maenads; another similar, with a Maenad fighting a Satyr within the tondo, in Yale University Art Gallery, inv. no.2016.147.1.
FootnotesSilenus, the only individualised satyr, was a companion and tutor to the wine god Dionysus, and he is represented here in the place of honour. He is typically older than the satyrs of the Dionysian retinue (thiasos) and his representation on the tondo symbolises respect towards his senior position.
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LOT 0066
Greek Red-Figure Kylix with Dancing Nymphs and Satyrs
Sold for (Inc. bp): £2,080
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Greek Turquoise Bead Necklace with Gold Beads
Hellenistic, circa 2nd-1st century B.C.Estimate: £2,500 - 3,500 (+bp*)
Opening Bid: £1,250
Composed of twenty-nine oval turquoise beads and four bicone sheet-gold beads with granulation, decorated with spirals and vertical lines, with beaded wire collars and equator, with later openwork clasp. 72 grams, 55.5 cm
Acquired on European art market, 1990s. Private collection of Mr K.A., France. with Kallos Gallery, London, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.13011-246750.
The use of turquoise and carnelian cloisonné inlay would be more expected in the Ptolemaic or earlier periods than from the Roman period. However, the love of coloured stones increased during the Roman period. In about A.D. 200, Clement said that 'the stones which silly women wear fastened to chains and set in necklaces' included emerald, amethyst, peridot, jasper and ceraunites. Clement's list of stones is closely paralleled by a tariff list of c. A.D. 200, and a list of jewellery from Spain. Both of these sources also include sapphire (hyacinthus) and callaina, which was probably turquoise. -
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Greek Black-Figure Skyphos with Dancing Satyrs by the Komast Painter Group
Attic, 585-560 B.C.Estimate: £5,000 - 7,000 (+bp*)
Opening Bid: £2,500
Featuring black-figure depictions of the Komos in a lively procession of revellers celebrating Dionysos, with the god portrayed as an ithyphallic satyr; two loop handles on the rim and a palmette beneath each handle, adorned with tendrils; professionally repaired. 219 grams, 20 cm wide
with Sotheby’s, New York, 20 June 1990, no.11. Private collection, New York, USA. Private collection, Georgia, USA. Private collection, UK. Accompanied by copies of the relevant Sotheby's catalogue pages. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13103-248960.
The Greek Komos, an integral part of ancient Greek culture, symbolises lively celebrations dedicated to Dionysos, the god of wine and revelry. It involved spirited processions with singing, dancing, music, and wine, fostering communal joy. This tradition was a vital aspect of Greek festivals, underscoring the Greeks’ love for communal bonding, the arts, and the pleasures of life. The Komos vividly illustrates the vibrant cultural and religious practices of ancient Greece. The artwork showcases four nude male dancers in dynamic poses, with their heads turned and arms in animated gestures. Three of them have pointed beards, while one is youthful and beardless. -
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Greek Bronze Ring with Goddess Nike
4th-2nd century B.C.Sold for (Inc. bp): £364
With discoid bezel, showing the Greek goddess of victory, Nike, holding a victory wreath in one hand, and the long ribbons of the latter in the other, the ring itself probably was part of a victory price for the winner of a contest (agon). 8.87 grams, 25.51 mm overall, 22.53 x 21.73 mm internal diameter (approximate size British Y, USA 12, Europe 27.51, Japan 26)
Acquired on the European art market in the 2000s. Private collection, England.
