Greek Red-Figure Fragment with Athletes Attributed to the Euaion Painter

With a high foot, laurel wreath encircling the neck, checkerboard and meander patterns alternating around the lower body, roundels of tongue motif to the handles with palmettes and tendrils below; two red-figure scenes to the body: Side a: a high-quality depiction of a Kōmos composed of five figures, including a young man holding a torch, a double flute player next to three dancers, all possibly followers of Dionysus; side b: three draped figures conversing comprising a central female figure between two opposed male figures, one holding a staff. 3.8 kg, 37 cm wide



Ex Feuardent collection, France, collected in the late 19th century (two old labels: one with 3061-133) on the inner rim and 113/2 (an old lot label from the 1900s/1920s) on the sidewall, further old assession numbers under the base: 321 and 35). Private collection, acquired in Paris, 2004. Accompanied by a copy of a thermoluminescence analysis report no.N111j79 from Oxford Authentication. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11786-206517.

The Kadmos Painter was an Athenian red-figure vase painter, whose real name is unknown. His nickname was bestowed by Beazley, naming him after the subject of a famous hydria in Berlin (Antikensammlungen Berlin/Altes Museum, found in Vulci). He illustrated many mythological scenes, sometimes with figures arranged up and down the field, usually on bell craters, vessels used in symposia for mixing wine and water. A Komos was a ritualistic drunken procession performed by revellers in ancient Greece. It preceded and/or followed the banquet, whether unbridled in nature with music and games, or serious and mythical.

The scaraboid engraved to one face with a winged creature facing left, possibly a gryphon, a star in the field above; set in a later gold ring with round cross-section and stamped maker's mark in a triangular cartouche; articulate swivel. 7.68 grams, 30.50 mm overall, 20.15 mm internal diameter (approximate size British T 1/2, USA 9 3/4, Europe 21.89, Japan 21)



Collected since the 1970s. Ex Everitt collection, acquired by descent 2017.

Arched bow with a central bulb and ribbed collar, integral pin and large catch-plate. 93 grams, 99 mm



From the family collection of a Surrey gentleman since before 1960.

The function of the catch-plate fibulae was utilitarian and decorative, they were used for woollen clothing (Herodotus V, 87) and they have been found in houses, tombs and as votive offerings in sanctuaries. Our fibula is an early type, very often found in the graves of the Greek colonies of Southern Italy and widespread in the Magna Graecia. This typology was introduced there by the Greeks. Like all female fibulae, it functioned as a clothing fastener, usually worn as a pair on each shoulder.