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LOT 0061
Greek Red-Figure Fragment with Athletes Attributed to the Euaion Painter
CIRCA 460 B.C.
6 in. (121 grams, 15.2 cm).
From a kylix, the inside painted with two young naked athletes within a medallion, conversing and cleaning their bodies with a strigil, the edge of the medallion decorated with a series of meanders and four crosses; the outside with two naked athletes and other figures, divided by foliage ornaments and volutes.
ProvenanceAcquired in before 2005.
Private collection, Europe.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11805-206818.
Cf. Boardman, J., Athenian Red Figure Vases. The Archaic period, London, 1975, figs.369-370.
FootnotesThe Euaion painter was a prolific artist of about 460 B.C. His painting - already in the manneristic period of the Attic red figures vases - was more nearly classical in style, although the ancestry of his small-headed, slim figures, is very evident. He introduced a high, sometimes patterned ground line for an upright two-figure group, and preferred the old elaborately patterned borders for tondos and the ground lines outside cups.
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AUCTIONS:
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LOT 0061
Greek Red-Figure Fragment with Athletes Attributed to the Euaion Painter
Sold for (Inc. bp): £3,900
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Greek Marble Funerary Anthemion Stele
4th century B.C.Sold for (Inc. bp): £17,550
Comprising a tall, plain body with two rosettes; crowned by an elaborate palmette and volute design with shallow acanthus stalks and small rosettes; mounted on a custom-made display stand. 55.6 kg total, 105.5 cm high including stand (95.2 cm without stand)
Private Swiss collection, acquired in the 1980s. with Ward & Co., New York, 2014. Private American collection, K.M., circa 2015-present. Accompanied by a copy of an Art Loss Register certificate number S00114167, dated 2 June 2016. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.11776-204598.
These memorials, originally painted (see gravestone from Paramythion, cf. Brinkmann-Wünsche, 2004, pp.148ff.), were venerated by families, anointed with oil, decorated with ribbons, and graced with offerings of food. They rivalled each other in the increasingly ostentatious display of family status and wealth, so much so that by the end of the 4th century B.C., a sumptuary law was passed, abruptly ceasing their production. In their heyday, these stelae provided sculptors an opportunity to demonstrate their technical virtuosity with both ornamental and figural subjects. It was not unusual for the anthemion to be of higher quality than the figures sculpted and painted below it. -
Hellenistic Glass Gem with Goddess
3rd-2nd century B.C.Estimate: £600 - 800 (+bp*)
Opening Bid: £333
Engraved with a goddess (Aphrodite?), facing right, peplos around her hips, her left elbow resting on a column and her left hand behind her body; the right hand outstretched and holding a sceptre; a snake(?) before. 2.52 grams, 22 mm
Acquired in the late 1980s-early 1990s. Important North West London collection.
In the famous Greek myth of the Gorgon, Aphrodite, jealous of their beauty, placed a curse on Medusa and her sisters, transforming their hair into snakes and making their gaze turn anyone into stone. -
Greek Aryballos Perfume Jar
Circa 6th century B.C.Sold for (Inc. bp): £2,210
Bulbous-bodied with dished rim ad short strap handle, decorative painted trail to the lip, spots to the shoulder and incised cross-hatching to the lower body; accompanied by a custom-made display stand. 104 grams, 63 mm (149 grams total, 82 mm high including stand)
Ex Swiss private collection, C.A., Geneva (1961-2000). Thence in a French collection. with Charles Ede Limited, catalogue 183, item number 31, 2011. Accompanied by a copy of French cultural passport number 116789, dated 15 April 2010. Accompanied by a copy of an Art Loss Register certificate no.S00048851, dated 3 June 2011.