Loading, please wait...
LOT 0052
Greek Red-Figure Epichysis
4TH-2ND CENTURY B.C.
7 1/2 in. (175 grams, 19.1 cm).
With pedestal foot, bulbous body, flared neck, pinched rim with lateral lugs and extended pouring lip, ribbed strap handle to the reverse; radiating white pellets and vertical red strokes to the neck, palmette to the reverse and profile seated figure of a lady of fashion with stephane and necklace, holding a wreath in one hand and a platter in the other; objects in the field; old collector's references to underside.
ProvenanceFrom the estate of a deceased American, acquired between 1970-1989.
with Bonham's, London, Knightsbridge, 28 October 2009, no.23 [part].
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
-
Greek Blackware Kylix
Circa 5th century B.C.Sold for (Inc. bp): £182
Broad and shallow with two strap handles, tondo displaying a wreath of ivy-leaves with tendrils and volutes underneath; the underside of the bowl with acanthus motifs; restored. 215 grams, 21.5 cm wide
Acquired on the UK art market, early 2000s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Drinking cups (kylikes and skyphoi), along with mixing bowls and wine coolers (kraters and psykters), wine jars (amphorae), water jars (hydrai), pitchers (oinochoai), and ladles (kyathoi), were essential equipment for drinking parties. The kylix appears to have been the most popular form of drinking cup, probably because it was especially well suited to the Greek custom of eating and drinking while reclining on a couch. These Attic kylikes were usually presented with a stemmed base, a deep bowl and two upturned loop handles, on a concave base. -
Greek Attic Black-Glazed Terracotta Mug
5th century B.C.Sold for (Inc. bp): £598
Squat, flat-bottomed with everted rim and single strap handle; reserved underside offset by a groove at its edge, pierced at its centre within a small glazed circle. 102 grams, 93 mm wide
From an American estate, acquired between 1970-1989. Accompanied by a copy of an Art Loss Register certificate no.S00075794. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Daunian Pottery Collection
6th-4th century B.C.Sold for (Inc. bp): £78
Comprising various vessel fragments including a partial handle, most with linear decoration, some with old pencil inscriptions. 122 grams total, 29-61 mm
From a deceased estate, UK. Acquired on the UK art market. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The fragments of Daunian ceramics presented here seem to belong both to the first vascular group of this type of ceramic, the most numerous, that of Herdonia, either to that of Canosa, which forms the second vascular group of Daunian ceramics. In the first group the two-tone decoration is limited to thin elements in red, interspersed with the rest of the decoration in a blackish-brown colour, consisting of minute and dense geometric motifs. The Canosa vases are instead generally monochrome, not lacking the sober use of red lines, having as a central motif a pendulous quadrangular panel, with three free sides of the decorative frame.