Loading, please wait...
LOT 0088
Greek Red-Figure Column Krater with Bull and Rider
ATTIC, 5TH CENTURY B.C.
17 1/2 in. (5.85 kg, 44.5 cm high).
With a flared and stepped foot, poppy-head border around the lower body and neck, strap handles with palmettes to the upper faces opening to two columnar legs; red-figure scenes to the neck and body: Side A, Europa's abduction: standing bearded figure in profile wearing a loose himation holding the lid of a krater in one hand facing a female figure in draped himation revealing one breast, turning to face the male while mounted on an advancing bull and carrying a frond; Side B, Dionysiac scene: satyr standing nude, playing a lyre beside a standing robed male wearing a laurel wreath in his hair, dancing female in active pose with musical instruments in each hand, turning to face the robed figure; some restoration.
ProvenanceGerman private collection (870632).
Anonymous sale, Hampel Fine Arts auction, Munich, 21 September 2012, no.625.
Private collection, acquired on the German art market.
Accompanied by an academic report by Dr Jacques Chamay.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13218-249222.
Cf. for similar krater, Boardman, J., Athenian Red Figure Vases the Classical Period, London, 1959, fig.39.
FootnotesThe two figurative scenes are of equal importance. The Dionysian one depicts the god, in the centre, between a satyr playing a lyre and a dancing maenad. The other scene depicts a well-known subject: the abduction of Europa. This is the daughter of Agenor, king of Tyre in Phoenicia. Of great beauty, she is desired by Zeus. He approaches her in the form of a white bull while she is playing on the beach. Initially frightened, the young woman begins to caress the animal, then becomes more daring and climbs onto its back. Zeus immediately abducts her and rushes out to sea, toward Crete. There, he will be united with Europa, who will bear him three children, including Minos.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
LOT 0088
Greek Red-Figure Column Krater with Bull and Rider
Estimate £30,000 - 40,000€34,800 - 46,400 (for guidance only)$40,500 - 54,000 (for guidance only)
-
Greek Bronze Ring with Musician
3rd-2nd century B.C.Sold for (Inc. bp): £247
Comprising a slender hoop and a lentoid bezel with a seated figure playing the panpipes. 2.90 grams, 19.84 mm overall, 16.99 x 15.68 mm internal diameter (approximate size British L, USA 5 3/4, Europe 11.24, Japan 10)
Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of a Surrey, UK, gentleman. -
Greek Core-Formed Glass Amphoriskos
5th-3rd century B.C.Estimate: £2,000 - 3,000 (+bp*)
Current Winning Bid: £1,000
Elongated piriform amphora shape, tubular neck and everted rim, decorated with polychrome festooning and trails, applied amber-green handles and knop foot. 152 grams, 18 cm high
Acquired early 1990s. Ex private American collection; thence by descent. Private collection since 1998. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12206-222129. -
Greek Terracotta Askos
Circa 5th-3rd century B.C.Sold for (Inc. bp): £156
With an arching strap handle and a wide spout with everted rim; ellipsoid in plan with a long flat base. 400 grams, 16 cm wide
From a late Hampshire gentleman's collection, formed from the 1960s.
The askos was an ancient Greek vessel used for pouring small quantities of oily liquids, used as an ointment container or to fill oil lamps. The modern name for this vessel is conventional; it was originally used for animal-skin wine bottles, as often seen on Dionysian-themed vase paintings, and is used in modern times to designate this vessel shape based on some morphological similarity.
