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LOT 0086
Greek Red-Figure Bell Krater with Warrior Funerary Offering Scene, Attributed to CA Painter
CAMPANIAN, 350-300 B.C.
11 5/8 in. (2.38 kg, 29.5 cm high).
Comprising a bell-shaped body with narrow stem and stepped pedestal foot, broad rim with square loop handles and palmettes beneath, frieze to sidewall: Side A: Oscan warrior with cuirass, helmet, shield and spear standing beside an altar with a female holding a patera in her extended hand, diadem in the other at her side; Side B: seated female with a patera and wreath facing a standing cloaked figure with thyrsus.
ProvenancePrivate collection, Geneva, acquired in the late 1960s.
Private collection, acquired in Geneva in 2000.
Accompanied by collector's notes and old images.
Accompanied by an original copy thermoluminescence analysis report no.QED1412/.SG-0602 from QED Laboratoire.
Accompanied by an academic report by Dr Raffaele D'Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13219-249314.
Cf. similar style in Paul Getty Museum, inv. no.71.AE.301 in Jentoft-Nilsen, M.R., Corpus Vasorum Antiquorum, The J. Paul Getty Museum-Malibu, South Italian Vases, Apulian Red-Figure, Malibu, 1990, p.16 pl.151; see an identical warrior represented on a red figure lekythos at the Capua museum (fig.1) and another amphora in the same museum, coming from the Necropolis of Caivano (Napoli) (Fig.2); for other similar works see a terracotta skyphos in the MET, accession no. 91.1.444.
FootnotesThe krater offers an interesting glimpse into the local life of Campania in the 4th century B.C. Particularly noteworthy is the depiction of the Oscan Samnite warrior, fully armed in the style of Campanian, Samnite, or Lucanian mercenaries, performing a funerary sacrifice. The depiction of the Chalcidian helmet, with its central crest and twin lateral plumes (geminae pinnae), dedicated to Mars, is extremely detailed.
The style and the way in which the figures are realised, the conformation of the women, the details of the warrior, seem to point to the workshop of the CA Painter, a Campanian red-figure vase-painter whose name is unknown. Nevertheless, consistent individual characteristics of style suggest the existence of a unique artistic personality. Trendall called him the CA Painter because he was the chief painter in the first stage of Cumaean red-figure vase-painting, the initials standing for Cumaean (C), first stage (A).
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AUCTIONS:
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LOT 0086
Greek Red-Figure Bell Krater with Warrior Funerary Offering Scene, Attributed to CA Painter
Sold for (Inc. bp): £5,980
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Greek Terracotta Alabastron
Etrusco-Corinthian, circa 6th century B.C.Sold for (Inc. bp): £468
Piriform body with narrow neck and flaring rim with a small loop handle below, decorated with radiating strokes below the neck, followed by eight rows of dot decoration flaked by red and black circumferential bands. 88 grams, 11.1 cm
From the collection of the late Sir Clinton Charles Donald Cory, 5th Baronet of Coryton. Ex Philip Auction House, 24 September 1985. Accompanied by two previous information cards. -
Scythian Bronze Eagle's Talon Pendant
Circa 6th century B.C.Sold for (Inc. bp): £156
Curved square-section hook with cuboid finial pierced on all four sides and to the top. 12.45 grams, 36.19 mm
From the private collection of a European gentleman (1942-2024), formed since the 1970s. -
Greek Terracotta Askos
Circa 5th-3rd century B.C.Sold for (Inc. bp): £156
With an arching strap handle and a wide spout with everted rim; ellipsoid in plan with a long flat base. 400 grams, 16 cm wide
From a late Hampshire gentleman's collection, formed from the 1960s.
The askos was an ancient Greek vessel used for pouring small quantities of oily liquids, used as an ointment container or to fill oil lamps. The modern name for this vessel is conventional; it was originally used for animal-skin wine bottles, as often seen on Dionysian-themed vase paintings, and is used in modern times to designate this vessel shape based on some morphological similarity.
