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LOT 0059
Greek Red-Figure Bell Krater with Satyr and Eros
APULIAN, CIRCA 450-400 B.C.
8 in. (814 grams, 20 cm).
With laurel-leaf wreath beneath the flared rim, band of meander ornament as a baseline; Side A: striding satyr with torch and oinochoe followed by Eros holding a scroll behind; Side B: woman wearing a himation in active pose with sphere advancing towards a tendril.
ProvenanceAcquired on the art market between the late 1990s and mid-2000s.
Estate of the late Barry Paul Buxton (1944-2024), Oakham, Rutland.
Acquired on the UK art market, 2025.
Accompanied by an academic report by Dr Raffaele D'Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.13070-249284.
Cf. The Metropolitan Museum, New York, accession numbers 1984.323.2 and 16.140, for similar.
FootnotesOften, the iconography of an 'elevated' mythological subject was applied to members of Dionysos' retinue. Here we have three typical examples of them: a satyr, an Eros, and a woman, all three behaving according to Bacchic ecstasies.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
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LOT 0059
Greek Red-Figure Bell Krater with Satyr and Eros
Estimate £3,000 - 4,000€3,480 - 4,640 (for guidance only)$4,050 - 5,400 (for guidance only)
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Greek Red-Figure Bell Krater Belonging to the Chevron Group
Apulian, 4th century B.C.Estimate: £2,500 - 3,500 (+bp*)
Opening Bid: £1,389
With reserved herringbone band beneath the rim, wave pattern to be the baseline; Side A: young man with thyrsus and pendant streamer holding a phiale, a loose mantle draped from the elbows; Side B: head of a lady of fashion with white accents to her stephane and hair drawn up in a chignon, a volute and window before her. 1.11 kg, 23.2 cm wide
Acquired on the art market between the late 1990s and mid-2000s. Estate of the late Barry Paul Buxton (1944-2024), Oakham, Rutland. Acquired on the UK art market, 2025. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.13071-249285.
Bell kraters were commonly used in regions of ancient Italy for mixing and serving wine during communal gatherings, thanks to their wide shape and flared mouth. These vessels also served as artistic expressions, reflecting the cultural tastes of the time. The Chevron Group is the conventional name for a group of ancient Apulian red-figure vase painters who were active in Southern Italy between approximately 335-310 B.C. They are named for their distinctive use of a band of chevron patterns to encircle the rims of the small kraters (mixing vessels) they decorated. -
Greek Black-Figure Skyphos with Dancing Satyrs by the Komast Painter Group
Attic, 585-560 B.C.Estimate: £5,000 - 7,000 (+bp*)
Opening Bid: £2,500
Featuring black-figure depictions of the Komos in a lively procession of revellers celebrating Dionysos, with the god portrayed as an ithyphallic satyr; two loop handles on the rim and a palmette beneath each handle, adorned with tendrils; professionally repaired. 219 grams, 20 cm wide
with Sotheby’s, New York, 20 June 1990, no.11. Private collection, New York, USA. Private collection, Georgia, USA. Private collection, UK. Accompanied by copies of the relevant Sotheby's catalogue pages. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13103-248960.
The Greek Komos, an integral part of ancient Greek culture, symbolises lively celebrations dedicated to Dionysos, the god of wine and revelry. It involved spirited processions with singing, dancing, music, and wine, fostering communal joy. This tradition was a vital aspect of Greek festivals, underscoring the Greeks’ love for communal bonding, the arts, and the pleasures of life. The Komos vividly illustrates the vibrant cultural and religious practices of ancient Greece. The artwork showcases four nude male dancers in dynamic poses, with their heads turned and arms in animated gestures. Three of them have pointed beards, while one is youthful and beardless. -
Greek Terracotta Figure of a Seated Goddess
3rd-2nd century B.C.Sold for (Inc. bp): £650
Hollow-formed figurine of a female wearing a himation seated on a high-backed chair with right hand in her lap and left arm bent over the back of the chair; triangular vent to reverse, hollow underside; Tanagra type. 255 grams, 13.8 cm
Collection of Mr C., Geneva, Switzerland (1936-2016), assembled between 1985 and 2010.