Loading, please wait...
LOT 0059
Greek Red-Figure Bell Krater with Satyr and Eros
APULIAN, CIRCA 450-400 B.C.
8 in. (814 grams, 20 cm).
With laurel-leaf wreath beneath the flared rim, band of meander ornament as a baseline; Side A: striding satyr with torch and oinochoe followed by Eros holding a scroll behind; Side B: woman wearing a himation in active pose with sphere advancing towards a tendril.
ProvenanceAcquired on the art market between the late 1990s and mid-2000s.
Estate of the late Barry Paul Buxton (1944-2024), Oakham, Rutland.
Acquired on the UK art market, 2025.
Accompanied by an academic report by Dr Raffaele D'Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.13070-249284.
Cf. The Metropolitan Museum, New York, accession numbers 1984.323.2 and 16.140, for similar.
FootnotesOften, the iconography of an 'elevated' mythological subject was applied to members of Dionysos' retinue. Here we have three typical examples of them: a satyr, an Eros, and a woman, all three behaving according to Bacchic ecstasies.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
LOT 0059
Greek Red-Figure Bell Krater with Satyr and Eros
Estimate £3,000 - 4,000€3,480 - 4,640 (for guidance only)$4,050 - 5,400 (for guidance only)
-
Greek Red-Figure Bell Krater Belonging to the Chevron Group
Apulian, 4th century B.C.Estimate: £2,500 - 3,500 (+bp*)
Opening Bid: £1,389
With reserved herringbone band beneath the rim, wave pattern to be the baseline; Side A: young man with thyrsus and pendant streamer holding a phiale, a loose mantle draped from the elbows; Side B: head of a lady of fashion with white accents to her stephane and hair drawn up in a chignon, a volute and window before her. 1.11 kg, 23.2 cm wide
Acquired on the art market between the late 1990s and mid-2000s. Estate of the late Barry Paul Buxton (1944-2024), Oakham, Rutland. Acquired on the UK art market, 2025. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.13071-249285.
Bell kraters were commonly used in regions of ancient Italy for mixing and serving wine during communal gatherings, thanks to their wide shape and flared mouth. These vessels also served as artistic expressions, reflecting the cultural tastes of the time. The Chevron Group is the conventional name for a group of ancient Apulian red-figure vase painters who were active in Southern Italy between approximately 335-310 B.C. They are named for their distinctive use of a band of chevron patterns to encircle the rims of the small kraters (mixing vessels) they decorated. -
Greek Bronze Figure of a Bound Captive
Hellenistic, 2nd century B.C.Estimate: £3,000 - 4,000 (‡+bp*)
Opening Bid: £1,667
Modelled in the round nude male standing with hands bound behind his back; with short cropped hair and slender figure; left foot absent; mounted on a custom-made stand. 491 grams, 17 cm including stand
Ex S.K. collection. Acquired on the German art market, July 1995. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12518-232076.
The character's hairstyle of the statuette is simple, and his hair is short, not treated with chalk like that of the famous ‘dying Galatian’ from Pergamon. The gaze is fixed in the distance, while the bony, beardless and long-limbed figure expresses the prisoner's energy. The nose here takes on a strong characteristic together with the broad jaw, which is also recognizable in later statuettes of Roman age. These characteristics, combined with those of nudity, allow us to recognize the figure of the prisoner as a Celtic warrior. warrior. -
Greek Silver-Gilt Phalerae Depicting a Fight Between Gryphons, an Eagle and a Deer
Hellenistic, 1st century B.C.-1st century A.D.Sold for (Inc. bp): £31,200
A pair of circular horse trappings hammered from sheet-silver, each with a decoration of two gryphons and an eagle slaughtering a deer, the gryphons attacking the deer from below, and the eagle attacking its muzzle, a tree in the background; accompanied by a custom-made display case. 62 grams total, 13.2 cm
Private German collection, 1980s. Accompanied by an expertise from Striptwist Ltd, a London-based company run by historical precious metal specialist Dr Jack Ogden. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.13038-248044.
This phalera comes from the Hellenised East, and was likely used as decoration of the higher part of a horse harness, like the phalerae visible on the armoured and unarmoured horses of the famous graffiti of Dura Europos representing Parthian, Palmyrene or Roman clibanarii (D’Amato-Negin, 2018, pp.11,16-17,26).
