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LOT 0059
Greek Red-Figure Bell Krater with Satyr and Eros
APULIAN, CIRCA 450-400 B.C.
8 in. (814 grams, 20 cm).
With laurel-leaf wreath beneath the flared rim, band of meander ornament as a baseline; Side A: striding satyr with torch and oinochoe followed by Eros holding a scroll behind; Side B: woman wearing a himation in active pose with sphere advancing towards a tendril.
ProvenanceAcquired on the art market between the late 1990s and mid-2000s.
Estate of the late Barry Paul Buxton (1944-2024), Oakham, Rutland.
Acquired on the UK art market, 2025.
Accompanied by an academic report by Dr Raffaele D'Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.13070-249284.
Cf. The Metropolitan Museum, New York, accession numbers 1984.323.2 and 16.140, for similar.
FootnotesOften, the iconography of an 'elevated' mythological subject was applied to members of Dionysos' retinue. Here we have three typical examples of them: a satyr, an Eros, and a woman, all three behaving according to Bacchic ecstasies.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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LOT 0059
Greek Red-Figure Bell Krater with Satyr and Eros
Estimate £3,000 - 4,000€3,480 - 4,640 (for guidance only)$4,050 - 5,400 (for guidance only)
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Greek Silver-Gilt Lion-Head Military Phalera
Hellenistic, 2nd century B.C.Estimate: £40,000 - 60,000 (+bp*)
Opening Bid: £22,222
Originally forming part of an elite horse-harness assemblage, made as a circular disc with a slightly flared rim and originally fitted with rear attachment loops (now lost); strongly modelled frontal lion’s head in high relief at the centre, gripping a spear or arrow in its jaws; the lion’s mane rendered in thick, slightly undulating locks, with additional chasing to suggest twisted strands, the facial features treated with pronounced linear and punched details: herringbone-patterned notches articulating the nose and whiskers, small star- or whirl-rosette motifs chiselled on the cheeks and chin; the central medallion framed by a raised ridge and a belted garland composed of pointed laurel leaves, dots imitating fruits, and four tied segments, a broad concentric frieze of alternating vegetal motifs surrounding, including narrow palmettes, lotus flowers, and oval blossoms with serrated petals, arranged rhythmically with alternating orientations; the floral elements originally selectively gilded against an ungilded silver ground, the outer flange decorated with a further leaf garland, and pierced with pairs of holes for attachment to leather straps. 451 grams, 27 cm
From the Walter Bizzarri family collection, 19th century. Accompanied by a copy of an examination report number 101/2018 by Dr Habil Mikhail Treister, 22 September 2018. Accompanied by an expertise from Striptwist Ltd, a London-based company run by historical precious metal specialist Dr Jack Ogden, reference number 180701. Accompanied by copies of the relevant Apollo magazine pages. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.10275-168732.
Stylistically and typologically, the phalera belongs to a small and early group of large Hellenistic shoulder phalerae known from the North Pontic region. Comparative analysis places it slightly later than the celebrated examples from the Fedulov Treasure, suggesting a date in the first half—possibly the first quarter—of the 2nd century BC. While the iconography of the lion with a spear in its mouth appears to derive from Bosporan royal or civic imagery of the late 3rd century BC, the more schematic execution of the relief and ornament suggests production in a provincial workshop operating within the cultural sphere of the Bosporan Kingdom rather than at its principal centres. Such monumental phalerae are widely understood as prestige objects, likely produced as diplomatic gifts or ceremonial donations for members of the nomadic elite in contact with the Bosporan state. The scale, technical ambition, and iconographic complexity of the present example firmly support its interpretation as a high-status object within this tradition. Technical examination indicates that the phalera was raised from a single sheet of silver, worked predominantly by matrix hammering from the reverse and refined by extensive chasing from the front. The vegetal ornament and figural details were executed freehand, as evidenced by subtle variations among repeated elements. Gilding was primarily achieved by foil gilding, with thin gold sheets burnished onto the silver surface; minor traces of mercury detected in some gilded areas may indicate early or corrective use of mercury amalgam gilding, a technique just beginning to appear at this period -
Greek Silver-Gilt Wine Cup with Handles
Hellenistic, 2nd-1st century B.C.Sold for (Inc. bp): £6,240
Comprising a globular body with a rounded underside, a repoussé rosette with ropework border, segmented band with leaf detailing, hatched shoulder framed by ropework bands, scooped neck with chamfered rim; two D-shaped ledge handles with recessed rim, ropework border, hatched panels; accompanied by a custom-made display case. 179 grams, 15.5 cm wide
Acquired on the US art market, early 1990s. Private collection, North America. Ex private collection, USA. TimeLine Auctions, 23 February 2023, no.48. Private collection, London. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.13037-247507. -
Greek Bronze Spiral Fibula
Geometric, 8th-6th century B.C.Sold for (Inc. bp): £416
Formed from a single filament rolled into two 'spectacle' discs; one of the spirals terminating in a long pin, the other in a hook serving as the catch; openwork figure-of-eight at the centre. 25.8 grams, 80 mm
Ex collection Mr. K.H., Germany, Private collection, acquired in 2012.