Loading, please wait...
Details
LOT 0060
Greek Red-Figure Bell Krater Belonging to the Chevron Group
APULIAN, 4TH CENTURY B.C.
9 1/8 in. (1.11 kg, 23.2 cm wide).
With reserved herringbone band beneath the rim, wave pattern to be the baseline; Side A: young man with thyrsus and pendant streamer holding a phiale, a loose mantle draped from the elbows; Side B: head of a lady of fashion with white accents to her stephane and hair drawn up in a chignon, a volute and window before her.
Provenance
Acquired on the art market between the late 1990s and mid-2000s.
Estate of the late Barry Paul Buxton (1944-2024), Oakham, Rutland.
Acquired on the UK art market, 2025.
Accompanied by an academic report by Dr Raffaele D'Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.13071-249285.
Literature
Cf. similar pottery in Paul Getty Museum, inv.no.71.AE.301.
Footnotes
Bell kraters were commonly used in regions of ancient Italy for mixing and serving wine during communal gatherings, thanks to their wide shape and flared mouth. These vessels also served as artistic expressions, reflecting the cultural tastes of the time. The Chevron Group is the conventional name for a group of ancient Apulian red-figure vase painters who were active in Southern Italy between approximately 335-310 B.C. They are named for their distinctive use of a band of chevron patterns to encircle the rims of the small kraters (mixing vessels) they decorated.
CONDITIONVETTING:
TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
LOT 0060
Greek Red-Figure Bell Krater Belonging to the Chevron Group
Estimate £2,500 - 3,500€2,900 - 4,060 (for guidance only)$3,380 - 4,730 (for guidance only)
RELATED LOTS
-
.jpg)
Greek Black-Figure Skyphos with Dancing Satyrs by the Komast Painter Group
Attic, 585-560 B.C.Estimate: £5,000 - 7,000 (+bp*)
Opening Bid: £2,500
Featuring black-figure depictions of the Komos in a lively procession of revellers celebrating Dionysos, with the god portrayed as an ithyphallic satyr; two loop handles on the rim and a palmette beneath each handle, adorned with tendrils; professionally repaired. 219 grams, 20 cm wide
with Sotheby’s, New York, 20 June 1990, no.11. Private collection, New York, USA. Private collection, Georgia, USA. Private collection, UK. Accompanied by copies of the relevant Sotheby's catalogue pages. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13103-248960.
The Greek Komos, an integral part of ancient Greek culture, symbolises lively celebrations dedicated to Dionysos, the god of wine and revelry. It involved spirited processions with singing, dancing, music, and wine, fostering communal joy. This tradition was a vital aspect of Greek festivals, underscoring the Greeks’ love for communal bonding, the arts, and the pleasures of life. The Komos vividly illustrates the vibrant cultural and religious practices of ancient Greece. The artwork showcases four nude male dancers in dynamic poses, with their heads turned and arms in animated gestures. Three of them have pointed beards, while one is youthful and beardless. -
Greek Gold Bead Collection
4th-3rd century B.C.Estimate: £1,500 - 2,000 (‡+bp*)
Opening Bid: £750
A collection of necklace pendants and dress appliques comprising: a hollow bead with a truncated conical shape, featuring appliques for precious stone inserts; three studs with a hemispherical dome; a pair of appliques decorated with rosette and mask-shaped elements; a pendant in the form of a myrtle berry, and another fragment. 11.19 grams total, 10-31 mm
Acquired by a Swiss family in the mid-1980s to late 1990s, thence by descent. Private collection, Switzerland, since the late 1990s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.13023-246772.
The iconography of Hellenistic jewellery often incorporates vegetal motifs, reflecting the Greek value of fertility and a royal Greek female wearer’s obligation to produce heirs. With its heavy incorporation of plant motifs, including tendrils, blossoms, and a bursting pomegranate, the diadem design symbolises a woman’s reproductive potential and alludes to the female wearer’s social responsibility to produce offspring. -
Mycenaean Painted Pottery Flask
14th-13th century B.C.Estimate: £1,500 - 2,000 (‡+bp*)
Opening Bid: £750
Comprising a circular body with a rounded base and two strap handles, a short neck with an everted rim; the body with a painted expanding cross motif with the arms separated by a band of pellets. 132 grams, 11.1 cm
Private collection, Switzerland, acquired in the 1994. Private family collection since the late 1990s. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13018-246795.
Mycenaean ceramics were influenced by Minoan shapes and decorative styles from the late Middle Helladic period. This close relationship – likely accompanied by the development of shared cultural practices and etiquette – creates the hypothesis that pilgrim flasks were introduced to Greece via Crete. Pilgrim flasks were produced in Mycenaean contexts from the Late Helladic IIA:1 period (1420-1390 B.C.).
