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LOT 0112
Greek Head of Alexander The Great
3RD-2ND CENTURY B.C.
4 in. (142 grams total, 10.2 cm including stand).
Modelled in the round with wavy hair brushed forward, large lentoid eyes in low-relief, angular nose and small mouth; attachment lug to underside, rich lead/copper alloy; mounted on a custom-made stand.
ProvenanceCollection of Mr C., Geneva, Switzerland (1936-2016), assembled between 1985 and 2010.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12857-241703.
Cf. Moreno, P., ‘L’immagine di Alessandro Magno nell’opera di Lisippo e di altri artisti’ in Alexander the Great, 1993, pp.101-136; Moreno, P. (ed.), Lisippo, l’arte e la fortuna, catalogo della mostra, Roma-Milano, 1995; Alfano, C. (ed.),
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AUCTIONS:
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Greek Terracotta Citharode
6th-4th century B.C.Estimate: £1,500 - 2,000 (‡+bp*)
Opening Bid: £750
D-shaped in section with close-cut hairstyle, standing, holding a cithara supported on the left arm, strumming with the right hand. 62 grams, 86 mm
Ex Shlomo Moussaieff (1925-2015), Israel. European private collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13107-246791. -
Bronze Military Standard Finial of an Ibex
Transcaucasia, 13th-6th century B.C.Estimate: £8,000 - 10,000 (+bp*)
Opening Bid: £4,000
Wth a rounded body and prominent raised neck, a tubular muzzle with stylised eyes and ears and a small, slightly open mouth; a ring with a chain and a large carnelian sphere beneath the chin; a wide incised groove above the front legs, perhaps intended to represent muscles; a long slit beneath the abdomen; standing on a rectangular platform with a pin for insertion to a wooden shaft; accompanied by a custom-made display stand. 643 grams total, ibex: 15 cm high
Acquired in Vienna, Austria, in the 1990s. Collection of N.M., former Israeli Ambassador to Austria (1998–2000). Private collection, London. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13039-247908.
In Scythian art, the ibex was often depicted in dynamic ‘animal style’ symbolising life, strength, and perhaps cosmic struggles, potentially linked to seasonal cycles or fertility, showing its sacred status as a totem animal alongside mouflons. The realistically depicted posture of the animal testifies to the ancient masters' keenness of observation and of their skill in rendering the character of the animal in metal. The posture recalls more archaic (7th-6th century B.C.) animal style art found in the Tagar finials. -
Large Greek Teano-Ware Fish Plate
Hellenistic, early 3rd century B.C.Sold for (Inc. bp): £1,235
Broad face with incised rings outlining the painted border of running vinescroll in red and white; with a shallow central socket outlined in red, broad carinated rim and low foot. 834 grams, 26.5 cm
Acquired at auction, London, UK, 1990s, no.233. Private collection, Suffolk, UK. Accompanied by a copy of the relevant catalogue page.
'Teano ware' is a type of ceramic produced from the late 4th century to the early 3rd century BC. Its modern name derives from Teanum Sidicinum, in northern Campania, the main centre of production. White and red pigment was used for the painted decoration on the black surface. It was probably used for votive or funerary purposes.
