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LOT 0519
Greek Grey Stone Bifacial Bead with Winged Creature and Star
CIRCA 2ND-1ST CENTURY B.C.
5/8 in. (2.18 grams, 15 mm).
Thick, oval bead showing a star with a raised annulet at the centre, the other side with a winged quadruped, possibly a gryphon. [No Reserve]
ProvenanceFrom the private collection of a European gentleman (1942-2024), formed since the 1970s.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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LOT 0519
Greek Grey Stone Bifacial Bead with Winged Creature and Star
Sold for (Inc. bp): £72
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Scythian Bronze Animal Mount Group
Circa 5th-3rd century B.C.Sold for (Inc. bp): £195
Comprising three mounts in the shape of an eagle with hooked beak, a wolf, and a leopard; each with D-shaped loop to the reverse. 7.1 grams total, 15-21 mm
Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of Surrey, UK, gentleman. -
Greek Black-Figure Lekythos with Horses and Fighting Warriors
Athens, 550-500 B.C.Sold for (Inc. bp): £3,900
Cylindrical with echinus mouth and stepped torus foot, on the body a dynamic scene consisting of four rearing horses, side-by-side and wearing harnesses, nestled between the horses a standing warrior wearing a crested helmet, behind the horses an advancing warrior wearing a plumed helmet, holding a long spear in his raised hand a round shield in the other; before the horses a fleeing opponent in a running pose, facing back and holding a spear in one hand while protecting himself with a shield held in the other; long tongue motifs on the shoulder; restored. 472 grams, 23.5 cm
Ex Bonhams, Knightsbridge, London, 1990s. Private collection, Suffolk.
The scene depicts a battle between hoplites, possibly an episode from the Iliad. Originally, one or two of the combatants were positioned on a chariot; four horses from it remain visible. The scene may represent the wounding of Ares, the god of war, as he is pursued by Diomedes and accompanied by the goddess Pallas, whose helmet is emerging from behind the horses. -
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Etruscan Bronze Statue of a Satyr
Circa 6th century B.C.Sold for (Inc. bp): £6,500
Modelled in the round in energetic pose with left hand resting on the hip and right arm raised, head tilted slightly upwards, tail curled gracefully over the rump; on a square base with papyrus stalk detailing; on a later gilt-metal stand mounted on a polished stone cube. 679 grams total, 20.4 cm including stand
Iris Cornelia Love (1933–2020), New York, collection primarily formed in the 1950s-1970s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13335-258241.
Many of the scenes show satyrs in Etruscan art transgressing the limits of accepted behaviour. As symbol of inversion of order, the satyr reflects the rules of the life and culture of the Etruscans and their values. Satyrs in comic, surprising situations indicate the Etruscans' sense of humour. They got their inspiration from Greek art when illustrating myths and narratives, often with a light-hearted approach of their own. The Etruscans were known to be devoted to religious rites and satyrs appear in such scenes too. Satyrs, connected with the Dionysian cortege, appear also on vases in sacrifice scenes and it is suggested here that satyrs dancing and gambolling around a wine vessel are performing a cultic dance in honour of Dionysos.
