Greek Gold Pomegranate on Gold Chain

Carved in the round; semi-naturalistic anatomic and facial detailing, hair gathered loosely at the neck and tied with a taenia knotted at the nape of the neck; mounted on a custom-made display base. 879 grams total, 18 cm high including stand



Ex old European private property, by inheritance to the current owner. Ex Schuler Auktionen, Zürich, 10 December 2020, lot 1211. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11817-206512.

The small statuette to which the head belonged was probably that of a naked youth, the so-called kouros, typical of archaic Greek sculpture from the 7th century B.C. onwards.

With raised rim and stepped foot, two strap handles to the rim each flanked by two domed studs; rim with reserved wave pattern band, studs with starburst motif; painted central scene with outer foliate bands and reserved wave pattern framing the tondo displaying Eros in flight with wings spread, holding a red cloth over an inverted shield; some repainting. 2.76 kg, 41 cm wide

Fine condition.

French collection, 1990s-early 2000s. Formerly in Patrick Declerck Auction, Douai, France, 2014, lot 72. From an important Paris gallery, France. Ex private Parisian collection. Accompanied by an original thermoluminescence analysis report no.N122j42 from Oxford Authentication. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11616-196567.

The piriform body with broad, stepped rim and two round-section handles; red-figure frieze depicting two standing women facing, wearing a himation and stephane; the other side with a nude standing warrior wearing an Apulo-Corinthian helmet, holding the reins of his horse, acanthus leaves, ovolo and wave motifs to the neck and lower body; probably from a Cuma workshop. 1.55 kg, 40.2 cm high



Ex private collection Mr S., Geneva, by inheritance. Accompanied by an academic report by Dr Raffaele D’Amato. Accompanied by an original thermoluminescence analysis report no.N123k3 from Oxford Authentication. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11784-206515.

The illustration of the horse is noteworthy: contemporary descriptions speak about the Sicilian horses as 'generous, swift and with firm foot' (Aeneid III, 704). The Oscan poet Lucilius of the 2nd century B.C. quotes the Campanian chargers as ‘fiery and brave although not very fine in their look’. The artistic evidence, like here, depicts well-built horses with fine legs suitable for middle-light cavalry.