Greek Gold Eros Earrings

From a kylix, the inside painted with two young naked athletes within a medallion, conversing and cleaning their bodies with a strigil, the edge of the medallion decorated with a series of meanders and four crosses; the outside with two naked athletes and other figures, divided by foliage ornaments and volutes. 121 grams, 15.2 cm



Acquired in before 2005. Private collection, Europe. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11805-206818.

The Euaion painter was a prolific artist of about 460 B.C. His painting - already in the manneristic period of the Attic red figures vases - was more nearly classical in style, although the ancestry of his small-headed, slim figures, is very evident. He introduced a high, sometimes patterned ground line for an upright two-figure group, and preferred the old elaborately patterned borders for tondos and the ground lines outside cups.

Represented in the typical female attire wearing a long chiton and a polos headgear; seated upon a throne with side horns, hands upon her knees; flat back. 413 grams, 18.5 cm



Acquired in Europe before 1996.

The typical 5th century B.C. terracotta female figurine was a standing or seated woman wearing a chiton and a himation. It usually represented the goddess Demeter, and it was a votive figure offered to the shrines or temples. Attica was one of the principal centres of figurine production, but Corinth continued to produce solid standing or seated females with moulded fronts and flat backs.

Composed of a blue and white glass bead between gold caps, granulation to the upper body with suspension loop and free-running ring, dangle below composed of a carnelian stone bead and granulated gold bead; some restoration. 5.29 grams, 53 mm



From a late Japanese specialist collector, 1970-2000s.