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LOT 0074
Greek Gold Bead Collection
4TH-3RD CENTURY B.C.
3/8 - 1 1/4 in. (11.19 grams total, 10-31 mm).
A collection of necklace pendants and dress appliques comprising: a hollow bead with a truncated conical shape, featuring appliques for precious stone inserts; three studs with a hemispherical dome; a pair of appliques decorated with rosette and mask-shaped elements; a pendant in the form of a myrtle berry, and another fragment. [8]
ProvenanceAcquired by a Swiss family in the mid-1980s to late 1990s, thence by descent.
Private collection, Switzerland, since the late 1990s.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.13023-246772.
Cf. for similar elements Marshall, F.H., Catalogue of the Jewellery, Greek, Etruscan and Roman, in the Department of Antiquities, British Museum, London, 1911, no.1025; Williams, D., Ogden, J., Greek gold, the jewellery of the Classical World, London-New York, 1994, p.162 (beads).
FootnotesThe iconography of Hellenistic jewellery often incorporates vegetal motifs, reflecting the Greek value of fertility. With its heavy incorporation of plant motifs, including tendrils, blossoms, and a bursting pomegranate, the diadem design symbolises a woman’s reproductive potential and alludes to the female wearer’s social responsibility to produce offspring.
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AUCTIONS:
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LOT 0074
Greek Gold Bead Collection
Estimate £1,200 - 1,700€1,390 - 1,970 (for guidance only)$1,620 - 2,300 (for guidance only)
Opening Bid
£600 (EUR 696; USD 810) ‡+BP*
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Thracian Silver Twisted Torc
5th century B.C.Estimate: £600 - 800 (+bp*)
Opening Bid: £300
Penannular torc twisted around its axis with tapering finials. 221 grams, 19.7 cm
Acquired in the early 1970s. Private collection, Suffolk. -
Greek Terracotta Oil Lamp with Annulets
Hellenistic, 3rd century B.C.Estimate: £80 - 100 (+bp*)
Bids: 1 | Current Bid: £5
Low profile and a long nozzle, the body with annulets on the shoulder and two projecting lugs on each side of the nozzle. 49.3 grams, 81 mm
From an important collection of lamps, Germany, 1970s. -
Etruscan Bronze Statue of a Satyr
Circa 6th century B.C.Estimate: £3,500 - 4,500 (‡+bp*)
Opening Bid: £1,800
Modelled in the round in energetic pose with left hand resting on the hip and right arm raised, head tilted slightly upwards, tail curled gracefully over the rump; on a square base with papyrus stalk detailing; on a later gilt-metal stand mounted on a polished stone cube. 679 grams total, 20.4 cm including stand
Iris Cornelia Love (1933–2020), New York, collection primarily formed in the 1950s-1970s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13335-258241.
Many of the scenes show satyrs in Etruscan art transgressing the limits of accepted behaviour. As symbol of inversion of order, the satyr reflects the rules of the life and culture of the Etruscans and their values. Satyrs in comic, surprising situations indicate the Etruscans' sense of humour. They got their inspiration from Greek art when illustrating myths and narratives, often with a light-hearted approach of their own. The Etruscans were known to be devoted to religious rites and satyrs appear in such scenes too. Satyrs, connected with the Dionysian cortege, appear also on vases in sacrifice scenes and it is suggested here that satyrs dancing and gambolling around a wine vessel are performing a cultic dance in honour of Dionysos.