Greek Decorated Spiral Bracelet

A ceramic burnished ware zoomorphic jug with a piriform body, slender cylindrical neck with tapering U-section spout with integral handle to rear and perforated lug to the base of the neck at the front; decorated with a shallow incised geometric motifs composed of clusters of horizontal lines and bands of lozenges with hatched fill, chevrons along the spine of the handle; accompanied by a display stand; some restoration. 667 grams total, 33 cm high including stand



Acquired in the 1990s. From a North Yorkshire private collection, UK.

Red burnished ware pottery became the dominant pottery ware lasting into the Middle Bronze Age on the island of Cyprus. Vessels were handmade and covered with a slip, which was burnished and often decorated with patterns incised with a sharp cutting edge before being fired. Potters were able to produce vessels that were either mottled or painted in two colours, often red outside and black inside and on the exterior of the rim.

A carved stone head modelled with semi-naturalistic facial features and dressed hair falling down the neck in tight curls. 4.2 kg, 17 cm high



Acquired early 1990s. Ex private American collection; thence by descent. Private Swiss collection since 1998. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11613-198981.

A ceramic red-figure bail amphora with round-section strap handle and pierced lug at the apex, tall waisted neck with vertical rib detailing, rounded shoulder with running wave pattern ornament, tapering body with figural designs of standing females wearing a himation and a stephane in red and white on black ground, one figure holding a thyrsus and the other an ear of corn, with accessories in the field; flared base; from a workshop in Cumae. 862 grams, 37 cm high



Ex collection H.& P. Payot, Clarens, by descent. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11577-199027. Accompanied by an original thermoluminescence analysis report no.QED2223/SG0-0105 from QED Laboratoire.

The bail amphora, named for the tall handle arching over the mouth, was a shape made primarily in Campania, where red-figure vases were produced at both Capua and Cumae in the 4th century B.C. The decoration offered a remarkable range of subjects associated not only with mythological images, but with representations of the local life, costumes and customs. The simple, single figure compositions decorating each side of this vase are also characteristic of the style, which tended to avoid complex mythological scenes often found on much larger vessels like volute craters, favouring representation of the daily life of south Italic people.