Greek Cream Glass Ribbed Bottle

A terracotta kylix with broad flat foot, short stem, broad bowl with carination at the shoulder, glared mouth and two square strap handles; frieze of black-painted decoration including two scenes of a chariot yoked to two centaurs, one with sgraffito markings, between palmettes; restored. 566 grams, 25.5 cm wide

Restored.; fine condition, repaired.

Cambridgeshire collection, 1990s-2000s. Ex property of a Sussex gentleman. Accompanied by an academic report by Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11579-198944.

These Attic kylikes were usually presented with a stemmed base, a deep bowl and twin, upturned loop handles, all upon a concave base. The exterior walls were decorated with black-figure technique on red background, here in a style remarkably similar to that of the Haimon Painter, especially in the rendering of facial features, and feet. The imagery on the exterior of these kylikes, used in the symposia, varied a lot. Just as the cup could be a mask (in the so-called typology of the Attic black-figure eye cups) to transform the drinker, to give a “complex painted character”. Daily life scenes, or fantasies like the chariot here pulled by centaurs, were among the various subjects.

A carved marble head of Hermes with densely curled hair, stern facial expression beneath a broad brow, luxuriant curled beard falling in waves and cut square at the lower edge; mounted on a custom-made display stand; a Roman copy after a 5th century B.C. Greek original. 32.2 kg total, 52 cm high including stand

Slot to top of head.

with Chaucer Fine Arts Ltd, 1980s. English private collection. Accompanied by an academic report by Dr Marina Mattei and Dr Laura Maria Vigna. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11615-199747.

This type of this archaic sculpture can be traced back to the original of which many copies and variants have been preserved: the Hermes Propylaios by the Attic sculptor Alkamenes, a pupil of Phidias, active in the second half of the 5th century B.C. According to some theories, the herma was created for the Propylaea of the acropolis of Athens, as patron deity of doors and entrances; according to others, this type of bearded Hermes is not to be located at the Propylaea, but in various possible places inside the Acropolis.

A terracotta idol formed with pinched stub arms and a pinched head crowned with a headpiece; remains of geometric detailing in painted pigment; repaired. 122 grams, 16.5 cm



Acquired early 1990s. Ex private American collection; thence by descent. Private Swiss collection since 1998.