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LOT 0063
Greek Core-Formed Glass Amphoriskos
5TH-3RD CENTURY B.C.
4 3/4 in. (35 grams, 12 cm high).
With applied yellow festooning and trails, knop foot and everted rim to the mouth.
ProvenanceAcquired on the UK art market, 1990s.
Private collection, New York, USA.
Cf. The Metropolitan Museum, accession number 74.51.322, for type.
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AUCTIONS:
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LOT 0063
Greek Core-Formed Glass Amphoriskos
Estimate £1,200 - 1,700€1,390 - 1,970 (for guidance only)$1,620 - 2,300 (for guidance only)
Opening Bid
£600 (EUR 696; USD 810) +BP*
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Large Greek Bronze Ring with Leaping Lion
Hellenistic, circa 2nd-1st century B.C.Estimate: £50 - 70 (+bp*)
Bids: 1 | Current Bid: £5
Comprising a slender hoop and a thick oval bezel with a stylised lion motif. 5.50 grams, 26.35 mm overall, 20.90 mm internal diameter (approximate size British V 1/2, USA 10 3/4, Europe 24.4, Japan 23)
From a UK collection formed in the 1980s. Property of an Essex, UK, gentleman. -
Greek Carnelian Bead with Gold End Caps
Hellenistic, 1st century B.C.-1st century A.D.Estimate: £600 - 800 (‡+bp*)
Opening Bid: £333
Columnar bead with sheet-gold cap to each end, each with beaded circlets and applied granule clusters, domed end with loop; possibly assembled. 17.44 grams, 60 mm
Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s.
The very elaborate versions of earrings with large domes and pendants composed of clusters of hollow spheres and granulation are most typically Romano-Syrian, but they begin to be produced in the Late Hellenistic Age. They were diffused in the Levant, Egypt and on the frontier area between the Roman and the Arsacid Empire. -
Greek Terracotta Female Protome
Early 5th century B.C.Estimate: £1,200 - 1,700 (‡+bp*)
Opening Bid: £650
Mould-made female protome with oval face, graceful nose and typical "archaic" smile; forehead framed by snail-shell curls descending to shoulder-height; with a low polos with a central perforation and large disc earrings. 606 grams, 19.5 cm
Ex Herbert A. Cahn, Kunst der Antike, Basel, 1997. with Paul and Vreny Vosseler-Studer, Riehen. Accompanied by a copy of an Art Loss Register certificate no.S00057826. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12474-228714.
The presence of cults in Magna Graecia, although they fell within a well-established pantheon, in which the deity representing the Great Mother or Mother Earth, protector of fertility, natural and human fecundity, as well as health, was the most ancient, traces back to the figure of Demeter. In terracotta statuary, especially in Lucania, the goddess became the prevalent subject of votive or propitiatory offerings, reproduced in numerous variations of pose. The most common is the seated position, a distant tradition and widespread in the ancient world, the so-called 'goddess enthroned' with its multiple meanings, which allowed it to be adapted to various forms of worship. Demeter is a female deity connected to the earthly world and fertility, and therefore also present in Lucanian religiosity. The theme of the archaic protome—a head severed just below the neck—was transformed and expanded between the 5th and 4th centuries B.C., into that of the bust, finished just above the waist.