Greek Core-Formed Glass Amphoriskos

Penannular torc twisted around its axis with tapering finials. 221 grams, 19.7 cm



Acquired in the early 1970s. Private collection, Suffolk.

Achaemenid or Parthian oval intaglio engraved with a style standing at the threshold between natural and stiff rigid linear style, depicting a goat-headed rhyton, the vessel terminating in the forepart of a wild goat with the front leg tucked under the body, the head rendered in profile with elegantly arched horns, pronounced muzzle, and carefully incised eye; the neck of the conical rhyton decorated with diagonal and cross-hatched incisions suggesting ribbing or chased metalwork; set in a modern gold ring with a small triangular area at the top left of the stone filled in with gold; supplied with a museum-quality impression. 8.51 grams, 24.02 mm overall, 21.18 mm internal diameter (approximate size British P, USA 7 1/2, Europe 16.23, Japan 15)



Acquired on the European art market. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13356-257945.

The subject, a rhyton terminating in an animal protome, belongs to a well-established tradition in Eastern Greek and Achaemenid art of the late Archaic and Classical periods, in which zoomorphic libation vessels were used in ritual and ceremonial contexts. Goat-headed rhyta, though less commonly preserved in glyptic media, are attested in silver and ceramic examples, notably from Asia Minor and Thrace. The stylised horned animal, here likely a wild goat or ibex, is associated with vitality and mountain symbolism, while the rhyton itself signals elite drinking culture and votive use. The use of carnelian is typical of high-quality glyptic production in the 6th to 4th century BC, valued for its durability and ability to take a fine polish. The style and iconography suggest an Eastern Mediterranean origin, most probably Ionian or Anatolian.

Modelled in the round standing figure with palla draped over the left shoulder and from the hips, extending to calf-length; the head with aquiline nose and dimpled chin modelled with a wreath of large leaves around the brow forming a corona; exaggerated eyes left blank to accept silver inserts; left arm bent, hand holding an incense-holder with cruciform design; right arm extended at shoulder-height with phiale mesomphalos offering dish; socket beneath left foot and screw-threaded post beneath right, repairs to both lower legs. 1.23 kg, 28.4 cm high



Sotheby's, New York, 17 December 1996, no.79. Private collection, New York, USA. Accompanied by copies of the relevant Sotheby's catalogue pages. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13355-255463.

The figure is probably a devotee or priest of Diana preparing to make ritual observances with the offering plate and incense burner. A group of similar figures was recovered from the shallows of Lake Nemi south of Rome, close to the site of the Temple of Diana.