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LOT 0502
Greek Campanian Bowl
SOUTH ITALIAN, CIRCA 4TH-3RD CENTURY B.C.
1 3/4 in. (17.4 grams, 44 mm).
Broad and squat with thick rim and carinated foot. [No Reserve]
ProvenanceFrom the collection of David Donlan (1947-2025), a dedicated and lifelong collector with a passion for the ancient world and the natural sciences, forming his collection from 1960s onwards, using many reputable dealers across the United Kingdom, including the well-regarded Coincraft and The Parthenon Gallery.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Cypro-Phoenician Gold Bead of a Naked Young Man
Mid 1st millennium B.C.Sold for (Inc. bp): £520
Sheet-gold bead modelled in the round as a young nude male with his hands held on top of his head. 2.08 grams, 38 mm
By repute with Christie's, New York, 1996 and an old European collection. Private collection, London, UK. -
Greek Bronze Horse Head Mount
Circa 4th-3rd century B.C.Sold for (Inc. bp): £208
Modelled in the round with large almond-shaped eyes and pricked ears. 34.8 grams, 38 mm
Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of a Surrey, UK, gentleman. -
Greek Bronze Figure of a Bound Captive
Hellenistic, 2nd century B.C.Sold for (Inc. bp): £2,860
Modelled in the round nude male standing with hands bound behind his back; with short cropped hair and slender figure; left foot absent; mounted on a custom-made stand. 491 grams, 17 cm including stand
Ex S.K. collection. Acquired on the German art market, July 1995. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12518-232076.
The character's hairstyle of the statuette is simple, and his hair is short, not treated with chalk like that of the famous ‘dying Galatian’ from Pergamon. The gaze is fixed on the distance, while the bony, beardless, long-limbed figure conveys the prisoner's energy. The nose here takes on a strong characteristic together with the broad jaw, which is also recognisable in later statuettes of Roman age. These characteristics, combined with those of nudity, allow us to recognise the figure of the prisoner as a Celtic warrior.
