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LOT 0541
Greek Bronze Zoomorphic Ring
CIRCA 4TH-2ND CENTURY B.C.
3/4 in. (1.89 grams, 18.18 mm overal, 16.29 mm internal diameter (approximate size British K 1/2, USA 5 1/2, Europe 10.58, Japan 10)).
Comprising a slender hoop and a lentoid bezel with a leaping quadruped. [No Reserve]
ProvenanceFrom the private collection of a European gentleman (1942-2024), formed since the 1970s.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Large Greek Silver-Gilt Bowl
Hellenistic, 2nd-1st century B.C.Estimate: £18,000 - 24,000 (+bp*)
Opening Bid: £10,000
A shallow phiale with chamfered, thickened rim; narrow band of gilding beneath the rim, broad parcel-gilt decorative band with wave borders framing reserved tendrils and foliage; to the centre a parcel-gilt panel with keystone border and quatrefoil motif. 428 grams, 21.2 cm
French collection, 1980s. Pierre Berge & Associes, Paris, Archéologie, 16 May 2018, lot 214. Accompanied by a copy of a seven-page examination report number 113/2019 by Dr habil Mikhail Treister. Accompanied by the original French archaeological passport. Accompanied by a copy of the relevant Pierre Berge & Associes catalogue pages. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.10426-168735.
The bowl is comparable to an early group of Parthian bowls, kept in the P. Getty Museum, dated to the 2nd century B.C. It belongs to a group of bowls with parcel-gilt decoration on the interior, most probably manufactured in one of the Eastern Hellenistic workshops. -
Greek Bronze Gryphon Statuette
Circa 4th-2nd century B.C.Sold for (Inc. bp): £98
Modelled in a typical pose with its front paws extended, an erect head and small wings. 28.4 grams, 46 mm wide
From the private collection of a European gentleman (1942-2024), formed since the 1970s. -
Greek Red-Figure Bell Krater with Warrior Funerary Offering Scene, Attributed to CA Painter
Campanian, 350-300 B.C.Sold for (Inc. bp): £5,980
Comprising a bell-shaped body with narrow stem and stepped pedestal foot, broad rim with square loop handles and palmettes beneath, frieze to sidewall: Side A: Oscan warrior with cuirass, helmet, shield and spear standing beside an altar with a female holding a patera in her extended hand, diadem in the other at her side; Side B: seated female with a patera and wreath facing a standing cloaked figure with thyrsus. 2.38 kg, 29.5 cm high
Private collection, Geneva, acquired in the late 1960s. Private collection, acquired in Geneva in 2000. Accompanied by collector's notes and old images. Accompanied by an original copy thermoluminescence analysis report no.QED1412/.SG-0602 from QED Laboratoire. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13219-249314.
The krater offers an interesting glimpse into the local life of Campania in the 4th century B.C. Particularly noteworthy is the depiction of the Oscan Samnite warrior, fully armed in the style of Campanian, Samnite, or Lucanian mercenaries, performing a funerary sacrifice. The depiction of the Chalcidian helmet, with its central crest and twin lateral plumes (geminae pinnae), dedicated to Mars, is extremely detailed. The style and the way in which the figures are realised, the conformation of the women, the details of the warrior, seem to point to the workshop of the CA Painter, a Campanian red-figure vase-painter whose name is unknown. Nevertheless, consistent individual characteristics of style suggest the existence of a unique artistic personality. Trendall called him the CA Painter because he was the chief painter in the first stage of Cumaean red-figure vase-painting, the initials standing for Cumaean (C), first stage (A).
