Loading, please wait...
LOT 0052
Greek Bronze Statuette of an Alexandrian Dancing Dwarf
HELLENISTIC, 1ST CENTURY B.C.-1ST CENTURY A.D.
5 7/8 in. (295 grams total, 15 cm high imcluding stand).
In an active pose with both legs bent and left arm raised dramatically, head tilted to the left; exaggerated facial features, short trimmed hair, slim body with developed pectoral muscles and pronounced kyphosis; mounted on a columnar stand.
ProvenanceBelgian private art collection of M.A., Brussels, Belgium, 1995.
with Gorny and Mosch, 14 December 2011, no.82.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13330-258951.
Cf. bronze figure of a dwarfd dancing in the British Museum under accession no. 1875,0517.103; cf. also Bolla, M., ‘Nani e pigmei nella piccola plastica in bronzo dell’Italia Settentrionale’ in Leger, C., Raux, S., Des objects et des hommes, Ėtudes offertes a Michel Feugère, Drémil-Lafage, 2021, pp.163-171, fig.4, for the image of a dancing dwarf.
FootnotesSuch figures are often described as ‘grotesques’, yet typically constituted overstated representations of people with dwarfism. Such individuals are invariably shown with exaggerated features such as pot bellies, hunched backs, bald heads, large phalli and angry facial expressions.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
LOT 0052
Greek Bronze Statuette of an Alexandrian Dancing Dwarf
Estimate £3,000 - 4,000€3,480 - 4,640 (for guidance only)$4,050 - 5,400 (for guidance only)
Opening Bid
£1,500 (EUR 1,740; USD 2,025) +BP*
-
Graeco-Roman Bronze Ram-Headed Iron Knife
1st century B.C.-1st century A.D.Estimate: £150 - 200 (+bp*)
Bids: 3 | Current Bid: £156
Comprising a single-edged knife set with a balustered bronze handle with rope decoration, and the pommel formed as a ram with curving horns. 26.5 grams, 11 cm
Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of a Surrey, UK, gentleman. -
Greek Terracotta Head Collection
Circa 4th-2nd century B.C.Estimate: £60 - 80 (+bp*)
Bids: 4 | Current Bid: £65
Comprising four head fragments, one fragment of the upper torso of a male, and a bird fragment. 116 grams total, 37-72 mm
From the collection of a Cambridge, UK, gentleman, by direct descent from his father, who acquired the items in London in circa 1960. -
Large Greek Terracotta Figure of a Kore
6th century B.C.Estimate: £4,000 - 6,000 (‡+bp*)
Opening Bid: £2,222
Hollow-formed with scaphoid headdress, long hair hanging behind the shoulders, heavy peplos dress extending to the floor with splayed hem and feet visible beneath; left hand held straight at the thigh, right hand in a fist between the breasts; mounted on a custom-made stand. 6.7 kg total, 57 cm including stand
Swiss private collection, assembled in the 1970s-1980s. with Galerie Serodine, Ascona, Switzerland, 1993. Collection of Dr E.N., Zug, acquired in 1995. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12858-241755.
One of the most typical 6th-century B.C. terracotta female figurines was that of a standing or seated woman wearing a chiton tunic and a himation over it. It was a votive figure offered to the shrines or temples, usually representing the goddess Demeter. The headgear, polos, was an element usually identifying the goddess Demeter or her daughter Persephone. Attica was one of the principal centres of figurine production, but Corinth continued to produce solid standing or seated females with moulded fronts and flat backs.