Greek Bronze Ring with Goddess Nike

Modelled in the round figure standing with arms raised, head tilted upward with shoulder-length hair and horned cap, collar to the throat with large disc closure, pectoral pendant on a stylised braided thong; mounted on a custom-made stand; possibly Cypriot workmanship. 277 grams total, 17 cm high including stand



Ex Ernest Ohly collection. Acquired from Woolley & Wallis, Wiltshire, UK, 20 May 2010, no.1010 (part). From an important Cambridgeshire estate; thence by descent. From the private collection of John Meredith, acquired since the 1990s; thence by descent.

Obv: head of Athena with profile eye to right, wearing disc earring, pearl necklace and a crested Attic helmet adorned with three olive leaves and a pi-style palmette. Rev: ΑΘΕ, owl standing to right, head facing the viewer, olive sprig with berry and crescent moon in upper left field, all within incuse square. Kroll 8; Dewing 1591-8; SNG Copenhagen 31; HGC 4, 1597; the coin enclosed inside a modern gold medallion pendant stamped '750' with double border. 24.36 grams, 37 mm



Roma Numismatics, E-LIVE Auction 4, 29 November 2018, no.155. Private collection of Mr K.A., France. with Kallos Gallery, London. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no. 13024-246751.

The Athenian components of several of the hoards in which these tetradrachms were found, together with other published and unpublished tetradrachms, make it clear that this coinage of c.400/390 to 353 was not only substantial, but was one of the most prolific Greek coinages of the period.

With notable added white details; Side A: woman moving to her right while holding a cista, dressed in a chiton clinched at the waist, with a himation draped over her left arm, her hair adorned with a sakkos; Side B: profile head of a woman wearing a patterned sakkos and radiated stephane, intricate earrings and necklace of beads, objects in the field; beneath the handles, palmettes with floral elements. 585 grams, 18 cm high



Ex Rev. & Mrs T.S. Hichens, Cornwall with Charles Ede, 1981 (Stock No.8370). Ex Mrs B. Shankes, November 1986. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.13068-248976.

Bell kraters were commonly used in regions of ancient Italy for mixing and serving wine during communal gatherings, thanks to their wide shape and flared mouth. These vessels also served as artistic expressions, reflecting the cultural tastes of the time. The Chevron Group is the conventional name for a group of ancient Apulian red-figure vase painters who were active in Southern Italy between approximately 335-310 BC. They are named for their distinctive use of a band of chevron patterns to encircle the rims of the small kraters (mixing vessels) they decorated.