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LOT 0531
Greek Bronze Ring with Animal
3RD-2ND CENTURY B.C.
1 in. (7.80 grams, 26.32 mm overall, 20.45 mm internal diameter (approximate size British U 1/2, USA 10 1/4, Europe 23.15, Japan 22)).
With round-section hoop, the round bezel with a standing quadruped with its tail curved above its back. [No Reserve]
ProvenanceEx old English collection.
London art market, 1980s.
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Greek Terracotta Protome Mask
Circa 4th-3rd century B.C.Sold for (Inc. bp): £416
D-shaped ceramic panel with detailing moulding of a female bust with styled hair and soft facial features. 89 grams, 10.9 cm
Acquired 1970s-1996. Property of a North American collector. London collection, 2016. -
Parthian Figural Silver Dagger Hilt
3rd-1st century B.C.Estimate: £500 - 700 (+bp*)
Opening Bid: £212
Formed as a standing male figure with swept back, shoulder-length hair, hands held at the waist; mounting lug below. 66 grams, 86 mm
with a London, UK gallery 1971-early 2000s.
This hilt was probably for an acinaces blade, usually 14-18 inches long and used throughout a vast swath of territory encompassing the eastern Mediterranean, the Near East and central Asia, by such diverse cultures as the Parthians, the Medes, the Greeks, and the Scythians. -
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Greek Archaic Laconian Black-Figure Kylix Fragment Group Attributed to the Rider Painter
550-540 B.C.Estimate: £4,000 - 6,000 (‡+bp*)
Opening Bid: £1,667
Comprising six fragments from a bowl once decorated with concentric circles around a central disc with expanding black rays, remains of palmette to the sides of the handle; the internal base with two facing warriors holding spears and a wreath, the older one depicted with a beard. 67 grams total, 34-89 mm
Acquired in Europe before 1990. Private collection, Europe. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11820-206481.
The Rider Painter was a Laconian vase painter active between 560 and 530 B.C. and is considered to be one of the five great vase painters of Sparta. He painted various forms predominantly kylikes but also lebetes, a form rare in this area. He mainly painted scenes from mythology, such as figures like Cadmos or Heracles, and tales such as the blinding of Polyphemus. In addition, he realised pictures from everyday life. The attribution of these fragments to his workmanship can be supported by the motifs painted on the exterior decoration of the vessel, and by the shape of the birds and figures. The illustrated scene is fitting within the warrior society of Spartan Laconia.
