Greek Bronze Handled Mirror

Deeply arched bow with a central barrel-shaped extension, integral pin and rectangular footplate. 46.8 grams, 60 mm



From the family collection of a Surrey gentleman since before 1960.

The distinctive form of this fibula seems to be an Italic variant of characteristic Geometric period examples from Thessaly that have been discovered in large numbers, for example in the sanctuary of Zeus Thaulios near Pharos. It belongs to the category of Greek catch plate brooches, although the rectangular footplate is substantially reduced than the Greek prototypes, and the two grooves on the bow are narrower than the continental Greek ones.

Comprising: one red jasper sphere; one glass sphere with worn eye motifs; one carnelian melon bead. 35.5 grams total, 15 - 26 mm



Acquired 1970s-1996. Property of a North American collector. London collection, 2016.

Comprising six fragments from a bowl once decorated with concentric circles around a central disc with expanding black rays, remains of palmette to the sides of the handle; the internal base with two facing warriors holding spears and a wreath, the older one depicted with a beard. 67 grams total, 34-89 mm



Acquired in Europe before 1990. Private collection, Europe. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11820-206481.

The Rider Painter was a Laconian vase painter active between 560 and 530 B.C. and is considered to be one of the five great vase painters of Sparta. He painted various forms predominantly kylikes but also lebetes, a form rare in this area. He mainly painted scenes from mythology, such as figures like Cadmos or Heracles, and tales such as the blinding of Polyphemus. In addition, he realised pictures from everyday life. The attribution of these fragments to his workmanship can be supported by the motifs painted on the exterior decoration of the vessel, and by the shape of the birds and figures. The illustrated scene is fitting within the warrior society of Spartan Laconia.