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LOT 0512
Greek Bronze Bow Fibula
8TH-7TH CENTURY B.C.
3 7/8 in. (93 grams, 99 mm).
Arched bow with a central bulb and ribbed collar, integral pin and large catch-plate. [No Reserve]
ProvenanceFrom the family collection of a Surrey gentleman since before 1960.
LiteratureCf. Moon-Ja, K., ‘A study on Ancient Fibulae’ in IJCC, vol.8, no.2, 2005, pp.71-84, fig.3, for the type.
FootnotesThe function of the catch-plate fibulae was utilitarian and decorative, they were used for woollen clothing (Herodotus V, 87) and they have been found in houses, tombs and as votive offerings in sanctuaries. Our fibula is an early type, very often found in the graves of the Greek colonies of Southern Italy and widespread in the Magna Graecia. This typology was introduced there by the Greeks. Like all female fibulae, it functioned as a clothing fastener, usually worn as a pair on each shoulder.
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Eastern Mediterranean Painted Pottery Bowl with Handles
8th century B.C.Estimate: £600 - 800 (‡+bp*)
Opening Bid: £300
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Acquired in Europe before 1992. European collection. -
Greek Black-Glazed Plate
5th-4th century B.C.Estimate: £500 - 700 (‡+bp*)
Opening Bid: £250
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Greek Marble Funerary Anthemion Stele
4th century B.C.Sold for (Inc. bp): £17,550
Comprising a tall, plain body with two rosettes; crowned by an elaborate palmette and volute design with shallow acanthus stalks and small rosettes; mounted on a custom-made display stand. 55.6 kg total, 105.5 cm high including stand (95.2 cm without stand)
Private Swiss collection, acquired in the 1980s. with Ward & Co., New York, 2014. Private American collection, K.M., circa 2015-present. Accompanied by a copy of an Art Loss Register certificate number S00114167, dated 2 June 2016. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.11776-204598.
These memorials, originally painted (see gravestone from Paramythion, cf. Brinkmann-Wünsche, 2004, pp.148ff.), were venerated by families, anointed with oil, decorated with ribbons, and graced with offerings of food. They rivalled each other in the increasingly ostentatious display of family status and wealth, so much so that by the end of the 4th century B.C., a sumptuary law was passed, abruptly ceasing their production. In their heyday, these stelae provided sculptors an opportunity to demonstrate their technical virtuosity with both ornamental and figural subjects. It was not unusual for the anthemion to be of higher quality than the figures sculpted and painted below it.
