Greek Bowl with Crimson and Black Decorations

With notable added white details; Side A: woman moving to her right while holding a cista, dressed in a chiton clinched at the waist, with a himation draped over her left arm, her hair adorned with a sakkos; Side B: profile head of a woman wearing a patterned sakkos and radiated stephane, intricate earrings and necklace of beads, objects in the field; beneath the handles, palmettes with floral elements. 585 grams, 18 cm high



Ex Rev. & Mrs T.S. Hichens, Cornwall with Charles Ede, 1981 (Stock No.8370). Ex Mrs B. Shankes, November 1986. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.13068-248976.

Bell kraters were commonly used in regions of ancient Italy for mixing and serving wine during communal gatherings, thanks to their wide shape and flared mouth. These vessels also served as artistic expressions, reflecting the cultural tastes of the time. The Chevron Group is the conventional name for a group of ancient Apulian red-figure vase painters who were active in Southern Italy between approximately 335-310 BC. They are named for their distinctive use of a band of chevron patterns to encircle the rims of the small kraters (mixing vessels) they decorated.

An interphalangial ring with a lentoid bezel with a stylised antelope facing right. 2.72 grams, 18.41 mm overall, 14.62 mm internal diameter (approximate size British G 1/2, USA 3 1/2, Europe 5.55, Japan 5)



Acquired on the UK and EU art market before 2000. From the private collection of a Surrey, UK, gentleman.

This category of rings shows a narrow band-like hoop and a slightly convex exterior surface, undecorated, retaining its width all around. The large bezel is in the form of a pointed oval.

Modelled nude in a dynamic pose with his wings spread open, the left leg slightly advanced, and the right arm extended with open palm, a diadem or a fillet on his head; circular socket between the wings; accompanied by a display stand. 808 grams total, 31 cm including stand



Louis-Gabriel Bellon (1819-1899) collection, France. European private collection, 2009. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no. 13014-246790.

In classical times, Eros was usually depicted as a handsome adolescent, with only his wings distinguishing him from other kaloi and young athletes. Sometimes he was depicted younger and with less masculine features: Lysippos, in the famous statue of Eros of Thespiae, depicted him as a youth.