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LOT 0035
Greek Black-Glazed Twin-Handled Stemless Kylix with Swan
APULIA, 4TH CENTURY B.C.
8 1/8 in. (206 grams, 20.6 cm).
Shallow with arched loop handles below the rim, low stepped foot; tondo with painted wreath of laurel leaves surrounding a standing swan in profile; to the outer face, two horizontal sprigs of laurel leaves; possibly by the Swan painter.
ProvenanceBonhams, Knightsbridge, London, 20 October 1994, no.43.
Private collection, Suffolk.
Accompanied by copies of the relevant Bonhams cataloguing pages.
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AUCTIONS:
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LOT 0035
Greek Black-Glazed Twin-Handled Stemless Kylix with Swan
Sold for (Inc. bp): £4,160
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Greek Terracotta Oil Lamp with Annulets
Hellenistic, 3rd century B.C.Sold for (Inc. bp): £104
Low profile and a long nozzle, the body with annulets on the shoulder and two projecting lugs on each side of the nozzle. 49.3 grams, 81 mm
From an important collection of lamps, Germany, 1970s. -
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Greek Terracotta Figure of Eros, the God of Love
Hellenistic, 3rd-1st century B.C.Estimate: £8,000 - 10,000 (‡+bp*)
Opening Bid: £4,000
Modelled nude in a dynamic pose with his wings spread open, the left leg slightly advanced, and the right arm extended with open palm, a diadem or a fillet on his head; circular socket between the wings; accompanied by a display stand. 808 grams total, 31 cm including stand
Louis-Gabriel Bellon (1819-1899) collection, France. European private collection, 2009. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no. 13014-246790.
In classical times, Eros was usually depicted as a handsome adolescent, with only his wings distinguishing him from other kaloi and young athletes. Sometimes he was depicted younger and with less masculine features: Lysippos, in the famous statue of Eros of Thespiae, depicted him as a youth. -
Large Greek Terracotta Oinochoe with Swastikas
Geometric, 8th century B.C.Estimate: £3,000 - 4,000 (‡+bp*)
Current Winning Bid: £1,500
With flared mouth, wide neck, bulbous body and ring foot, painted in brown and red matte glaze; geometric pattern spread over several registers separated by bundles of encircling stripes, triangles with hatching inside them, neck with metopes containing swastikas, rosettes and rhombuses with a band of rhombuses beneath; the shoulder with five line friezes arranged one above the other; the body decorated with meander and a band of rhombuses and triangles with hatching below, a broad black stripe (in places reddish as a result of misfiring) to the lower part; transition to the ring foot and ring foot painted black; wide strap handle attached to the shoulder and painted on the outside with a wavy line framed by dots, edge stripes and three small stars, the connecting bar patterned with stripes; museum-quality restoration. 2.04 kg, 35.5 cm
Ex Madame P., Paris. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12460-228686.
Vessels of the Geometric period (900-700 BCE) are easily recognisable by their abstract decorative designs, which had their origin in woven textiles and baskets. While early period pottery typically has sparse geometric motifs on a black background, the amount of decoration increased progressively to the point that objects from the late Geometric period are often entirely covered - in this example, even the strap handle.
