Greek Black-Glazed Guttos with Strainer

With a hemispherical body, narrow foot and a round-section loop handle. 117 grams, 13.1 cm



Acquired on the UK art market during the late 20th century. From the private collection of David King (1940-2024), Hoddesdon, Hertfordshire, UK. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Modelled in the round standing erect with right hand on his hip and left arm extending from the elbow resting on the left hip and with fingers curled to hold a staff or handle, wearing a loosely draped cloth over the left shoulder and drawn around the body to hang over the arms; ribbed cuffs to the boots; youthful face with tousled hair and slightly exaggerated lentoid eyes; C-shaped staple beneath the feet for attachment; supplied with a custom-made display stand. 506 grams total, 18.7 cm including stand



with Sotheby’s, Antiquities, London, 6 July 1995, no.130. Acquired by the present owner at the above sale. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12194-222321. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The statue was probably a cult offering and presents an archaic Etruscan hairstyle, being part of the Italic statuettes produced as votive offering to the temples or for private lararia. His warrior status can be confirmed by his boots, typical of Etruscan and Latin warriors of archaic times.

Comprising various vessel fragments including a partial handle, most with linear decoration, some with old pencil inscriptions. 122 grams total, 29-61 mm



From a deceased estate, UK. Acquired on the UK art market. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The fragments of Daunian ceramics presented here seem to belong both to the first vascular group of this type of ceramic, the most numerous, that of Herdonia, either to that of Canosa, which forms the second vascular group of Daunian ceramics. In the first group the two-tone decoration is limited to thin elements in red, interspersed with the rest of the decoration in a blackish-brown colour, consisting of minute and dense geometric motifs. The Canosa vases are instead generally monochrome, not lacking the sober use of red lines, having as a central motif a pendulous quadrangular panel, with three free sides of the decorative frame.