Loading, please wait...
Details
LOT 0567
Greek Attic Red-Figure Fragment Depicting a Nude Hero
EARLY 5TH CENTURY B.C.
1 5/8 in. (11.73 grams, 42 mm).
Irregular fragment with nude body fragment partially draped in a chlamys, with finely painted slender hand on a hip.
Provenance
From the stock of a former UK antiquarian, acquired at trade fairs and from private collection formed in the 1980s-1990s.
Private collection, Europe.
VETTING:
TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
RELATED LOTS
-
Large Greek Bronze Spiral Fibula
Geometric, 7th-6th century B.C.Estimate: £400 - 600 (‡+bp*)
Opening Bid: £200
Formed from a single square-section filament rolled into two 'spectacle' discs; one of the spirals terminating in a long pin, the other in a hook serving as the catchplate; openwork figure-of-eight at the centre; pin broken, coils separated. 159 grams, 17 cm
Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. -
Late Lydian Bronze Phiale with Boss
600-400 B.C.Sold for (Inc. bp): £650
Broad and squat with thickened rim, central boss to the base. 536 grams, 24 cm wide
Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. -
Bronze Military Standard Finial of an Ibex
Transcaucasia, 13th-6th century B.C.Estimate: £8,000 - 10,000 (+bp*)
Opening Bid: £4,000
Wth a rounded body and prominent raised neck, a tubular muzzle with stylised eyes and ears and a small, slightly open mouth; a ring with a chain and a large carnelian sphere beneath the chin; a wide incised groove above the front legs, perhaps intended to represent muscles; a long slit beneath the abdomen; standing on a rectangular platform with a pin for insertion to a wooden shaft; accompanied by a custom-made display stand. 643 grams total, ibex: 15 cm high
Acquired in Vienna, Austria, in the 1990s. Collection of N.M., former Israeli Ambassador to Austria (1998–2000). Private collection, London. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13039-247908.
In Scythian art, the ibex was often depicted in dynamic ‘animal style’ symbolising life, strength, and perhaps cosmic struggles, potentially linked to seasonal cycles or fertility, showing its sacred status as a totem animal alongside mouflons. The realistically depicted posture of the animal testifies to the ancient masters' keenness of observation and of their skill in rendering the character of the animal in metal. The posture recalls more archaic (7th-6th century B.C.) animal style art found in the Tagar finials.