Loading, please wait...
Details
LOT 0089
Greek Archaic Laconian Black-Figure Kylix Fragment Group Attributed to the Rider Painter
550-540 B.C.
1 3/8 - 3 1/2 in. (67 grams total, 34-89 mm).
Comprising six fragments from a bowl once decorated with concentric circles around a central disc with expanding black rays, remains of palmette to the sides of the handle; the internal base with two facing warriors holding spears and a wreath, the older one depicted with a beard. [6]
Provenance
Acquired in Europe before 1990.
Private collection, Europe.
Accompanied by an academic report by Dr Raffaele D’Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11820-206481.
Literature
Cf. a similar kylix with identical external decorations in the British Museum, accession no.1854,0810.4, from Sicyonia, and BM 1842,0407.7 in Walters, H.B., Forsdyke, E.J., Smith, C.H., Vase / Catalogue of Vases in the British Museum, London, 1893-1925, B1 and B3; Nicol, W., A Catalogue of the Greek and Etruscan Vases in the British Museum, London, 1851-1879, no.686.
Footnotes
The Rider Painter was a Laconian vase painter active between 560 and 530 B.C. and is considered to be one of the five great vase painters of Sparta. He painted various forms predominantly kylikes but also lebetes, a form rare in this area. He mainly painted scenes from mythology, such as figures like Cadmos or Heracles, and tales such as the blinding of Polyphemus. In addition, he realised pictures from everyday life. The attribution of these fragments to his workmanship can be supported by the motifs painted on the exterior decoration of the vessel, and by the shape of the birds and figures. The illustrated scene is fitting within the warrior society of Spartan Laconia.
CONDITIONVETTING:
TimeLine Auctions follows a rigorous vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
LOT 0089
Greek Archaic Laconian Black-Figure Kylix Fragment Group Attributed to the Rider Painter
Estimate £4,000 - 6,000€4,630 - 6,940 (for guidance only)$5,360 - 8,040 (for guidance only)
RELATED LOTS
-
Greek High-Glazed Black Ware Mug
4th-3rd century B.C.Sold for (Inc. bp): £1,820
With flared base, bulbous body. tapering shoulder and flared mouth with everted rim, loop handle. 69 grams, 71 mm
Private collection, Sussex, UK; acquired 1975-1990. -
Etruscan Bronze Pendant Group
Circa 8th century B.C.Estimate: £400 - 600 (+bp*)
Opening Bid: £200
Comprising three pendant clusters, each a tube with balustered middle section and ribs, radiating loops at the lower end with suspended biconvex dangles. 90 grams total, 78 mm each
Acquired in the late 1970s. Ex Herr Bernhard Muller collection. with Galerie Ostracon, circa 2015. Accompanied by detailed collector's catalogue pages including description and photograph. -
Greek Marble Funerary Anthemion Stele
4th century B.C.Sold for (Inc. bp): £17,550
Comprising a tall, plain body with two rosettes; crowned by an elaborate palmette and volute design with shallow acanthus stalks and small rosettes; mounted on a custom-made display stand. 55.6 kg total, 105.5 cm high including stand (95.2 cm without stand)
Private Swiss collection, acquired in the 1980s. with Ward & Co., New York, 2014. Private American collection, K.M., circa 2015-present. Accompanied by a copy of an Art Loss Register certificate number S00114167, dated 2 June 2016. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.11776-204598.
These memorials, originally painted (see gravestone from Paramythion, cf. Brinkmann-Wünsche, 2004, pp.148ff.), were venerated by families, anointed with oil, decorated with ribbons, and graced with offerings of food. They rivalled each other in the increasingly ostentatious display of family status and wealth, so much so that by the end of the 4th century B.C., a sumptuary law was passed, abruptly ceasing their production. In their heyday, these stelae provided sculptors an opportunity to demonstrate their technical virtuosity with both ornamental and figural subjects. It was not unusual for the anthemion to be of higher quality than the figures sculpted and painted below it.