Greek Apulian Red-Figured Prochous with Lady of Fashion

An elaborate finial, likely from a ceremonial staff or pole, comprising a vertical shaft supporting an openwork plate in the form of stylised stag's antlers; shaft with a sculpted stag’s head with elongated ears and simplified features, extending to antlers with four branches on each side; flat plate above with ornament consisting of four graduated tiers of scrolled 'antlers', each with detailed decorative chasing (incised bands with diagonal lines); above, a crescent (possibly representing wings) flanking a frontal raptor's head with a hooked beak and engraved notching (probably a symbolic addition); a horizontal tube or sleeve passing through the base of the plate, decorated with transverse grooves with bells suspended below and from small loops near the stag’s head; each bell made from thin bronze sheet, conical in shape; accompanied by a custom-made display stand. 2.39 kg total, 49 cm including stand



Franz Heger (1853–1931), Austrian traveller and ethnographer, acquired in the Caucasus during his 1890 expedition. Believed to have been gifted circa 1930 to Franz Hancar (1893–1968), noted scholar and expert in ancient Caucasian cultures. Thence by descent, acquired in the 1950s by Mr R.D., Vienna. Acquired from the above in 1998 by N.M., former Israeli Ambassador to Austria (1998–2000). Accompanied by a copy of a nine page examination report number 137/2015 by Dr Habil Mikhail Treister. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12861-240722. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

This piece resembles a pair of bronze finials discovered in 1913, now in the Museum of Novocherkassk. However, there are notable differences: the Novocherkassk examples have paired birds at the top rather than a single bird, and lack antlers or suspended bells. Experts have dated the Novocherkassk pieces to around 500-400 BC. This example, though unique, shares key stylistic traits, particularly the scrollwork antlers with other bronze horse gear fittings and finials found in the Kuban Basin, many securely dated to the 4th century BC based on associated amphora finds. Comparable decorative styles such as bands of oblique lines appear on horse harnesses from known Scythian burial sites. This, along with the concentration of similar finds in the Kuban region, supports the idea that this finial also originated there. Scholars have suggested that finials like this symbolise the Tree of Life, especially when birds are present. The bird at the top of this piece may reflect that idea. Similar imagery appears on a bronze finial from Alexandropol and another from Lysaya Gora, the latter depicting the Scythian god Papaeus (akin to Zeus). While exact dating is difficult due to lack of archaeological context, stylistic parallels suggest a 4th century BC origin is most likely. Its unusual combination of sculpted and openwork elements, along with its symbolic imagery, makes it a rare and important example of Scythian or Maiotian bronze craftsmanship.

With flared mouth, wide neck, bulbous body and ring foot, painted in brown and red matte glaze; geometric pattern spread over several registers separated by bundles of encircling stripes, triangles with hatching inside them, neck with metopes containing swastikas, rosettes and rhombuses with a band of rhombuses beneath; the shoulder with five line friezes arranged one above the other; the body decorated with meander and a band of rhombuses and triangles with hatching below, a broad black stripe (in places reddish as a result of misfiring) to the lower part; transition to the ring foot and ring foot painted black; wide strap handle attached to the shoulder and painted on the outside with a wavy line framed by dots, edge stripes and three small stars, the connecting bar patterned with stripes; museum-quality restoration. 2.04 kg, 35.5 cm



Ex Madame P., Paris. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12460-228686. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Vessels of the Geometric Period (900-700 BCE) are easily recognisable by their abstract decorative designs, which had their origin in woven textiles and baskets. While early period pottery typically has sparse geometric motifs on a black background, the amount of the decoration increased progressively to the point that objects from the late Geometric period are often entirely covered - in this example, even the strap handle.

With pedestal base, piriform body, tapering neck with beak-like spout and tall strap handle to the rear; the body painted with palmette spray beneath the handle and profile bust of a lady of fashion with cream and white detailing, restored. 362 grams, 20.8 cm



From the private collection of a Canadian gentleman living in Essex, UK, formed since the 1920s-circa 1990. Property of an Essex lady until the late 1990s; thence by descent. From the private collection of an Essex gentleman since the late 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.