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LOT 0103
Greek Apulian High-Glazed Fluted Cup
4TH CENTURY B.C.
3 1/2 in. (174 grams, 90 mm high).
Raised fluting decorating the body, broad c-section neck and everted rim, segmented openwork handle.
ProvenanceAcquired in the 1960s-1970s.
Ex European private collection.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11856-206542.
Cf. The Metropolitan Museum, accession number 1983.571.4, for a very similar example.
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AUCTIONS:
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LOT 0103
Greek Apulian High-Glazed Fluted Cup
Estimate £2,000 - 3,000€2,320 - 3,480 (for guidance only)$2,700 - 4,050 (for guidance only)
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Greek Faience Vessel with Frieze of Hellenistic Busts
Circa 3rd-2nd century B.C.Estimate: £500 - 700 (+bp*)
Opening Bid: £250
A piriform jar with applied decoration presenting a scene with a chariot and a procession of animals, portico above. 1.79 kg, 28.5 cm high
Collected from 1979-1999. From the collection of the late Mr S.M., London, UK. -
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Greek Bronze Owl Finial
4th-2nd century B.C.Sold for (Inc. bp): £117
Modelled in the round perched on a discoid base with mounting lug to the underside; the stylised owl with large circular eyes with simple beak and feather detailing, pecked texture to the base; accompanied by a custom-made wooden display stand. 89 grams total, 70 mm high including stand
Acquired 1960s-1990s. From the late Alison Barker collection, a retired London barrister. -
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Attic Red-Figure Fragment Attributed to the Thaliarchos Painter
5th century B.C.Sold for (Inc. bp): £702
Comprising the bottom part of a cup-skyphos or pyxis, decorated with concentric circles in red and black, the internal part painted with the image of a young athlete, wrapped in a short chlamys and leaning upon his staff, the ground represented as a concave space. 95 grams, 12.5 cm
Acquired in Europe before 1990. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11810-206516.
The everyday life of ancient Greeks is well represented on the Attic red figure paintings. The short cloak (chlamys) is the favourite garment for the men and the hair of the younger men is more often shown cropped than in the black Attic figure paintings. The nakedness of youths exercising at the palaistra could well have been an important source of inspiration for the Greek artists who were becoming increasingly aware of the possibilities to represent the physiology of subtle movement in paintings. The Thaliarchos painter is generally recognised as the artist of the tops of some powder-box pyxides, although it is not excluded that he was actively painting various types of vessels. The type of ground and the way in which the foot of the man is worked can support the thesis that the fragment is from his workshop.
