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LOT 0081
Greek Apulian Gnathian Ware Calyx Krater
MAGNA GRAECIA, CIRCA 4TH CENTURY B.C.
4 3/4 in. (209 grams, 12 cm).
Bell-shaped in profile with stepped foot and stem, two lateral loop handles, flared rim; Side A: horizontal laurel-leaf band with to smaller vertical one below, central rosette; Side B: egg-and-dart band with pellets, pendant leaves and bunches of grapes.
ProvenanceEx old UK collection.
Acquired from Cestrian Antiques, Chester, UK, 2006.
Ex Pemberton collection, Wales, UK.
Accompanied by an old professionally produced information card with collection reference C.928.
Accompanied by the original Cestrian Antiques invoice.
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AUCTIONS:
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Standing nude with a wreath to his hair, segmented beard, right hand holding a thunderbolt; mounted on a custom-made stand. 142 grams, 10.3 cm (200 grams total, 11.6 cm including stand)
From the collection of Mr. F.U., Bavaria, acquired prior to 2000. with Gorny & Mosch, 17 June 2015, no.303. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12380-226601. -
Greek Bronze Human-Headed Female Dancer
4th-3rd century B.C.Sold for (Inc. bp): £46
Comprising a narrow hoop and lentoid bezel, intaglio image of a siren in flight. 1.33 grams, 21.71 mm overall, 19.09 mm internal diameter (approximate size British Q, USA 8, Europe 17.49, Japan 16)
Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of Surrey, UK, gentleman. -
Villanovan Bronze Pendant
8th-7th century B.C.Sold for (Inc. bp): £156
Formed as a domed disc pendant with openwork cross and central hole; triangular bale above, three loops below each with a crotal bell attached; mounted on a custom-made stand. 86 grams (134 grams), 11.9 cm(14.5 cm)
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.
The round element represents the four-spoked wheel of a chariot, typical of the Bronze Age. The motif has been interpreted as solar symbolism since this period. The circularity between solar cosmologies—symbolic wheel/solar vehicle/functional chariot—was deeply ingrained since at least the 15th century from North Europe to Aegeaum, and continued in the early Iron Age.
