Greek Apulian Blackware Epichysis

With flared neck, everted rim, loop handle and pedestal base of Magna Graecian (Gnathian) workmanship; to the neck a band of white ovolo motifs above ochre bands, a white wavy line, ochre dots, a white and ochre meander and red solid bands. 157 grams, 10.2 cm



From the private collection of a Canadian gentleman living in Essex, UK, formed since the 1920s-circa 1990. Property of an Essex lady until the late 1990s; thence by descent. From the private collection of an Essex gentleman since the late 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Mould-made female protome with oval face, graceful nose and typical "archaic" smile; forehead framed by snail-shell curls descending to shoulder-height; with a low polos with a central perforation and large disc earrings. 606 grams, 19.5 cm



Ex Herbert A. Cahn, Kunst der Antike, Basel, 1997. with Paul and Vreny Vosseler-Studer, Riehen. Accompanied by a copy of an Art Loss Register certificate no.S00057826. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12474-228714. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Comprising a square base with a raised border and supported by four stub feet, each originally surmounted by poppy-head finials (one now absent); a hollow-formed figure of a banqueteer reclining elegantly with his weight resting on his left elbow, his proper right leg drawn up beneath the folds of a finely pleated robe; in his right hand, a ram’s head rhyton and his left hand cradling a skyphos; his bearded head with a laurel wreath. 1.58 kg, 25 cm



Private New York collection, formed in the 1960s. Acquired on the North American art market, 1990s. with Cahn Auktionen AG, Basel, Switzerland, 13 November 2015, no.84 (CHF 18,000). Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12379-226873. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The composition reflects the iconography of elite banquet culture in the ancient world, capturing both refinement and ritual in a single expressive figure. The Greek 'συμπόσιον' 'symposium' was the later part of a formal banquet which took place after the food had been consumed, when the serving of strong drink was accompanied by music, dancing, poetic composition or recital or earnest conversation. The custom has similarities with the Roman convivium and with the customs of many Mediterranean and Western Asiatic people. The Parthian Empire was culturally diverse and included many Hellenic groups; the Arsacid court adopted a range of aspects of contemporary Greek culture, among them Greek military structures and the Greek language as a lingua franca alongside the Parthian (Iranian) language and Aramaic.