Greek Apulian Black-Glazed Prochous

Hollow-formed 'moneybox' with exaggerated nose and lips, small crescent-and-pellet ears, low-relief eyes with impressed pupils, small lock of hair to the scalp, vesica-shaped socket to the underside; pierced at the scalp and at the right ear. 67 grams, 48 mm



with Artemis Gallery, Munich, before 1998. Acquired by the present owner from the above in 2003. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12212-222320. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Modelled in the half-round as a maenad or Artemis, hollow to the reverse with diadem of ivy leaves with clusters of berries at the centre, exaggerated lentoid eyes, peplos dress secured at her left shoulder by a disc brooch and at her right with a cloven hoof. 541 grams, 14 cm



Acquired before 1983. Ex London gallery, 1990s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12519-231946. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

The Greek deity Artemis was the goddess of hunting, associated with wild animals and woodland as well as childbirth. She was often linked with folk magic and witchcraft due to her role as goddess of the moon. She was identified by the Romans with the goddess Diana. Artemis was born, with her twin brother Apollo, on the island of Delos, daughter of Zeus and Leto. Homer refers to her as Artemis Agrotera, Potnia Theron: "Artemis of the wildland, Mistress of Animals". Her best-known cult sites were on the island of Delos, in Attica at Brauron and Mounikhia, and in Sparta. She was often depicted in paintings and statues in a forest setting, carrying a bow and arrows, and accompanied by a deer. In Greek classical art, she is usually portrayed as a maiden huntress: young, tall and slim, clothed in a girl's short skirt, with hunting boots, a quiver, a bow and arrows. When portrayed as a moon goddess, Artemis wore a long robe and sometimes a veil covering her head. Her darker side is revealed in some vase paintings, where she is shown as the death-bringing goddess whose arrows fell young maidens and women, such as the daughters of Niobe. Artemis was also identified with the ancient mother goddess at Ephesus in modern-day Turkey and it was there that a huge temple was built in her honour, long recognised as one of the Seven Wonders of the World.

The free-standing perfume vase modelled as a standing and draped female figure, the neck and mouth of the vessel possibly formed as a modius worn on her head, holding what is possibly a dove to her chest; moulded and painted detailing to her face and garments; heavily repaired. 269 grams, 22 cm high



Acquired in Europe before 2001. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.