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LOT 2198
Grand Tour Roman Style Bronze Oil Lamp
ITALY, CIRCA 1880 A.D.
3 3/4 in. (152 grams, 95 mm).
Drum-shaped body with twin short nozzles, palmette reflector plate. [No Reserve]
ProvenanceFrom the private collection of Kenneth Machin (1936-2020), Buckinghamshire, UK; his collection of antiquities and natural history was formed since 1948; thence by descent.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
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AUCTIONS:
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Large Ethiopian Manuscript Page from the Miracles of Mary
Ethiopia, circa 1650 A.D.Sold for (Inc. bp): £494
Vellum page depicting, recto: scenes of St George, a preacher, a prisoner and others, legends accompanying the images; verso: two columns of Ge'ez script. 18 grams, 29.3 x 27 cm
From the collection of David Buxton (1910-2003), author of 'Travels in Ethiopia', 1949. Ex central London gallery. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Grand Tour Bronze Murmillo Gladiator Statuette
Late 19th century A.D.Sold for (Inc. bp): £117
Standing murmillo type gladiator, holding a sword and rectangular shield, wearing feathered helmet. 128 grams, 92 mm
Acquired on the UK art market in the early 2000s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Renaissance Gold Ring with Diamond Crystal
Early 16th century A.D.Sold for (Inc. bp): £6,240
Slender hoop with raised shoulders leaves displaying leaves and volutes, quatrefoil bezel with stepped edges and set with a point-cut diamond crystal. 4.19 grams, 27.25 mm overall, 17.52 mm internal diameter (approximate size British O, USA 7, Europe 14.98, Japan 14)
Private collection of a North London lady before 2000. Property of a London gentleman. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12754-236647. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
This type ring seems to have been very popular in Renaissance Europe during the late 16th and early 17th centuries. Numerous parallels and portraits give evidence for this fashion. Similar ring types are in the National Museum of Bargello, Firenze, and Ashmolean Museum, Oxford.
