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LOT 2058
Grand Tour Bronze Figures
19TH-20TH CENTURY A.D.
6 1/8 - 7 1/2 in. (2.36 kg total, 15.7-19.1 cm).
Comprising: girl with long hair crouching on a rock, cradling her knee, with stamped 'Bronze garanti Paris JB déposée' mark and signed 'Milo' to base, on a marble stand; youthful Roman lady in a lively pose with sweeping dress and mantle (unsigned). [2, No Reserve]
ProvenanceIan Wilkinson collection, Nottinghamshire, UK, formed since 1985.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
Milo Martin, 1893-1970, was a Vaudois sculptor and medalist whose foundry stamp: “Bronze Guaranteed J.B. Paris” was chosen after a famous bronze brand from the 19th century.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Tudor Period Velvet Fragments
Late 16th century A.D.Sold for (Inc. bp): £416
Rectangular yellow-gold textile panels with applied red foliage with gold-coloured thread detailing. 152 grams total, 18.5-75 cm
Private collection, Chateau de Frechou, France. Daguerre Societe de Ventes Volontaires, 21 March 2016, no.9 [Part]. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato. -
Highclere Castle White Metal Plate Warmer Set with Crest of Lord Carnarvon
Early 19th century A.D.Sold for (Inc. bp): £286
Shallow silver-plated outer case with lateral drop handles and lipped lid with impressed '2' to rim, bae with incised heraldic motif of a dragon crest beneath a coronet within a buckled garter and motto 'Ung Je Servirai' (I will serve only one); two base metal dishes with ropework borders inside. 1.42 kg, 23 cm
From Highclere Castle from the 1950s onwards. Acquired from Newbury Antique Emporium. Property of a Berkshire, UK, gentleman collector. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
The motto is that of the Fitzherbert family, the Earls of Carnarvon. Probably the best-known bearer of that title is George Edward Stanhope Molyneux Herbert, 5th Earl of Carnarvon (1866 -1923), who financed the exploratory excavations of Howard Carter which resulted in the discovery and publication of the tomb of the pharaoh Tutankhamen in the 1920s. On 19 March 1923, Carnarvon contracted blood poisoning after accidentally shaving a mosquito bite infected with erysipelas. He died a few days later on 5 April, in the Continental-Savoy Hotel in Cairo. This unexpected and untimely death gave rise to the story of the 'Curse of the Mummy'. He is buried in a tomb at Beacon Hill, Hampshire and the family lives in Highclere Castle nearby. Highclere is the location chosen for the filming of the BBC drama series 'Downton Abbey'. -
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Ethiopian Wooden Diptych Icon of the Virgin and Child with Gabra Manfus Qeddus and Saints
17th century A.D.Sold for (Inc. bp): £2,210
Portable shrine with geometric ornament and crosses to the outer face, opening doors to reveal a diptych with image of Mary Theotokos and Child, escorted by angels Gabriel and Michael with drawn swords, on the left; on the right, Abune Gabra Manfus Qeddus with hands raised, nimbate figures of Takla Haymanot and Ewostatewos with yellow and blue garments on the right; on the lower right corner Saint George (Bet Gorgis) killing the dragon. 453 grams, 21.8 x 19 cm
Sir Alistair McAlpine, circa 2000. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
In the Ethiopian icons, Gabra Manfas Qeddus (Servant of the Holy Spirit) the famous hermit whose sanctity tamed the wild beasts, is often represented. The exterior faces of these diptych panels, like the smaller bilateral diptychs of the 17th century, were carved with centralised cross designs that reflects the carved designs of contemporary wooden altar tablets.
