Graeco-Roman Bronze Ring with Inscription

Featuring a round-section hoop and a large oval bezel with a seated goddess holding a dove with open wings. 6.35 grams, 23.20 mm overall, 19.55 x 12.60 mm internal diameter (approximate size British I, USA 4 1/4, Europe 7.44, Japan 7)



From the private collection of a European gentleman (1942-2024), formed since the 1970s.

A collection of necklace pendants and dress appliques comprising: a hollow bead with a truncated conical shape, featuring appliques for precious stone inserts; three studs with a hemispherical dome; a pair of appliques decorated with rosette and mask-shaped elements; a pendant in the form of a myrtle berry, and another fragment. 11.19 grams total, 10-31 mm



Acquired by a Swiss family in the mid-1980s to late 1990s, thence by descent. Private collection, Switzerland, since the late 1990s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.13023-246772.

The iconography of Hellenistic jewellery often incorporates vegetal motifs, reflecting the Greek value of fertility and a royal Greek female wearer’s obligation to produce heirs. With its heavy incorporation of plant motifs, including tendrils, blossoms, and a bursting pomegranate, the diadem design symbolises a woman’s reproductive potential and alludes to the female wearer’s social responsibility to produce offspring.

Mould-made female protome with oval face, graceful nose and typical "archaic" smile; forehead framed by snail-shell curls descending to shoulder-height; with a low polos with a central perforation and large disc earrings. 606 grams, 19.5 cm



Ex Herbert A. Cahn, Kunst der Antike, Basel, 1997. with Paul and Vreny Vosseler-Studer, Riehen. Accompanied by a copy of an Art Loss Register certificate no.S00057826. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12474-228714.

The presence of cults in Magna Graecia, although they fell within a well-established pantheon, in which the deity representing the Great Mother or Mother Earth, protector of fertility, natural and human fecundity, as well as health, was the most ancient, traces back to the figure of Demeter. In terracotta statuary, especially in Lucania, the goddess became the prevalent subject of votive or propitiatory offerings, reproduced in numerous variations of pose. The most common is the seated position, a distant tradition and widespread in the ancient world, the so-called 'goddess enthroned' with its multiple meanings, which allowed it to be adapted to various forms of worship. Demeter is a female deity connected to the earthly world and fertility, and therefore also present in Lucanian religiosity. The theme of the archaic protome—a head severed just below the neck—was transformed and expanded between the 5th and 4th centuries B.C., into that of the bust, finished just above the waist.