Graeco-Roman Bronze Patera with Duck-Headed Handle

Hollow-formed with fine detailing to the fingers and nails; with fixing points for a military standard (signum) used by each unit under a centurion, originally fixed with the palm facing forwards inside a wreath. 718 grams, 21 cm



Acquired in Europe before 2000. European private collection. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12003-211851. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Roman military signa decorated by phalerae and surmounted by a right hand were used from the Late Consular Age. The hand (manus) symbolised the fides, i.e. the allegiance between the soldiers and the Res Publica. It is also possible that the hand belonged to a statue in which it was extended as a sign of silence, to allow the speaker to speak. However, the iconography of military hands, and also the resemblance to a bronze hand (military signum) preserved in the Vindonissa museum (Windisch), support the possibility that the object was part of a military standard.

Hollow-formed with fluting to the shoulders and foliage panel to the underside, plaque with inset garnet cabochon bearing an eagle in three-quarter view gripping a lightning bolt, head turned, laurel wreath in the beak; supplied with a museum-quality impression. 11.80 grams, 30.64 mm overall, 17.06 x 12.36 mm internal diameter (approximate size British F, USA 2 3/4, Europe 3.67, Japan 2 3/4)



From the collection of a deceased lady, 1990s. Ex London, UK, gentleman, 2000s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12523-231876. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

This splendid intaglio of an eagle depicts what Pliny the Elder calls the: ‘most honourable and strongest of all birds’ (Naturalis Historis.10.3.1), and Aelian remarks that it possesses the ‘keenest sight of all birds’ (De natura animalium. 1.42). However, the animal was not revered in antiquity solely out of admiration for its natural attributes, it was esteemed during the Greek, Roman Republican and Imperial times as the bird that held the lightning of the sky god Zeus/Jupiter, whose identifying symbol is the thunderbolt and his primary sacred animal is the eagle. It is also a symbol of Victory, power and immortality, since it is associated with the passage of a deified emperor’s spirit into the world of the immortals. The primary military use of the eagle was as a standard, which comprised of a golden or gilded metal eagle, clutching thunderbolts in its talons, perched atop a long metal pole with a butt-spike for planting in the ground. Both Ovid and Plutarch place the inception of manipular ensigns with Romulus, where bundles (manipuli) of hay were tied to high poles which served as rallying points for units of the army. Eventually, icons of animals replaced these ensigns: the eagle, wolf, Minotaur, horse, and boar. In 107 B.C., Gaius Marius made sweeping military reforms and the Aquila became the sole standard of the legion, which according to (Pliny NH. 10.5.16) ‘By making the Aquila the standard for all legions improved unity and gave soldiers a symbol that expressed their attachment to an all-encompassing body, to which the soldiers’ loyalty could be directed’. Due to its place at the head of each legion, it became the emblem of the Roman legions, which enforced Roman rule in the provinces, giving the eagle its connotation of dominion.

With rectangular plaque, incuse Greek inscription 'CEPAΔωΠI/BOHΘI' (Help me Serapis). 3.74 grams, 20.40 mm overall, 17.71 mm internal diameter (approximate size British K 1/2, USA 5 1/2, Europe 10.58, Japan 10)



Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of Surrey, UK, gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.