Loading, please wait...
LOT 0085
Graeco-Phoenician Glazed Terracotta Oinochoe
7TH CENTURY B.C.
6 5/8 in. (491 grams, 17 cm).
With a folded trefoil mouth, an applied ribbed handle and basal ring, and incised concentric rings above the equator.
ProvenancePrivate collection, acquired in the late 1980s-early 1990s; thence by descent.
LiteratureCf. Moscati, S., I Fenici, Milano, 1988, p.235, for a similar trefoil jug.
FootnotesThroughout the 7th century BC, the Phoenician ports received goods from the East, from Cyprus, Eastern Greece, Pithecussa, and even Etruria, likely in exchange for grain, oil, and wine. Among the various archaeological finds unearthed in these ports are Attic, Corinthian, and Rhodian pottery, some of which was manufactured by the Greek colonies of the West, such as Ischia-Pithecussa.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
LOT 0085
Graeco-Phoenician Glazed Terracotta Oinochoe
Estimate £800 - 1,000€930 - 1,160 (for guidance only)$1,080 - 1,350 (for guidance only)
-
Graeco-Roman Stone Column Section
Late 1st century B.C.-early 1st century A.D.Sold for (Inc. bp): £26
A section showing tightly wrapped lotus petals. 492 grams, 95 mm
From the late collection of a Cornish couple formed from the early 1990s. -
Iberian Bronze Figurine of a Man in Egyptianizing Dress
4th-2nd century B.C.Estimate: £2,500 - 3,500 (‡+bp*)
Opening Bid: £1,250
Standing with arms held straight at the sides, short hair with neck-ring to rear, short-sleeved tunic with pleats to centre-front and rear, wide belt; perhaps a monumental fitting; gas permeation to rear right leg; mounted on a custom-made stand. 77.8 grams total, 10 cm including stand
Private collection, Paris, France, assembled in the 1950s-1960s. with Tessier-Sarrou & Associés, Paris, 2015. European private collection. Accompanied by a copy of an Art Loss Register certificate, no.S00107108. Accompanied by a copy of French cultural export passport no.167803. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12651-234613. -
Greek Black-Figure Miniature Amphora with Swan
Attic, 6th-5th century B.C.Estimate: £4,000 - 6,000 (‡+bp*)
Opening Bid: £2,000
With two handles and an everted rim; parallel, vertical strokes on the neck and below a swan with its wings open and neck elegantly curved, a staff on the background. 57.1 grams, 76 mm
Swiss private collection, assembled in the 1960s and 1970s. Acquired by the present owner in 2004. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.13019-246754.
The swan was a favoured motif in Greek art, admired for its elegance and associations with divinity and beauty. In mythology, the bird was sacred to Apollo, god of music and light, whose chariot was said to be drawn by swans on his annual journey to the land of the Hyperboreans. It was likewise linked to Aphrodite, symbolising love and sensuality, and appears in scenes celebrating harmony and the ideal of beauty. The swan also featured prominently in the myth of Leda and the Swan, in which Zeus, transformed into the bird, inspired numerous representations across Greek art.
