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LOT 2038
Gold Tie Pin with EEN
CIRCA 1860 A.D.
3 3/4 in. (7.04 grams, 96 mm).
Formed from a round-section shaft twisted to the centre, an oval bezel with a wide rim and ornate letters 'EEN' under plano-convex crystal in profile; maker's mark 'JB' to the underside, for John Brogden.
ProvenancePrivate collection, Europe.
Acquired on the English art market.
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AUCTIONS:
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LOT 2038
Gold Tie Pin with EEN
Estimate £300 - 400€350 - 460 (for guidance only)$410 - 540 (for guidance only)
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Renaissance Gold Ring with Gem
16th century A.D.Sold for (Inc. bp): £2,860
Comprising a slender hoop with scroll-decorated shoulders, a high hexagonal colette setting with a point-cut rock crystal with foil backing. 2.75 grams, 22.97 mm overall, 15.54 mm internal diameter (approximate size British I 1/2, USA 4 1/2, Europe 8.07, Japan 7)
Acquired on the European art market. -
Carnelian Gemstone with a Bucolic Scence
18th century A.D.Sold for (Inc. bp): £20
Oval orange carnelian gem showing two goats, one resting on top of a large stone while the other is standing against another boulder. 1.66 grams, 17 mm
UK private collection, acquired on the English art market in the 2000s. -
Post Medieval Gold Ring with Sardonyx Cameo with Adoration of the Magi
Italy, 15th century A.D.Estimate: £5,000 - 7,000 (+bp*)
Opening Bid: £2,500
Featuring a finely carved sardonyx cameo illustrating the Nativity, with the Virgin Mary extending the Christ Child toward the three Magi bearing gifts, while Joseph stands beside her; the family shown emerging from an arched doorway, beneath the Star of Bethlehem; set in a 19th-century high-carat gold mount, probably English in origin. 4.62 grams, 21.88 mm overall, 18.25 mm internal diameter (approximate size British Q, USA 8, Europe 17.49, Japan 16)
Acquired on the European art market. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13334-258013.
The scene is staged horizontally, with the Holy Family at one end and the Magi and their entourage proceeding towards it, essentially unfolding in the foreground in a sort of procession, one behind the other. This was the standard image, although in the Italian School of Renaissance the same scene was often modified according to the vision of Botticelli, who put at the centre the Holy Family.
