Loading, please wait...
Details
LOT 2223
Gilt Framed Set of Historical Prints
19TH CENTURY A.D.
12 3/4 x 9 5/8 in. (2.4 kg total, 32.5 x 24.5 cm each).
A set of four framed and glazed historical prints: Sir Isaac Newton, engraved by W.T. Fry, published London, 1831, by Harding & Lepard; Thomas Howard, Duke of Norfolk, engraved by E. Scriven, published London, 1830, by Harding & Lepard; Queen Anne, engraved by J. Cochran, published London, 1835, by Harding & Lepard; Robert Devereux, Earl of Essex, published London, 1829, by Harding & Lepard. [4, No Reserve]
Provenance
Property of a North London, UK, gentleman.
From the private collection of John Meredith, acquired since the 1990s; thence by descent.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
VETTING:
TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
RELATED LOTS
-
Pair of Carved Wainscot Panels with Fleurs-de-Lys and Geometric Trellis Motifs
France, circa 1500 A.D.Sold for (Inc. bp): £91
Rectangular in profile with chamfered edges, central high-relief panel of lozenges each with a fleur-de-lys to the centre. 325 grams total, 28.7-29 cm
Private collection, New England. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
.jpg)
Bronze Grand Tour Egyptian Sphinx
Italy, late 19th century A.D.Sold for (Inc. bp): £338
Hollow-formed miniature of a sphinx couchant with forelegs extended, wearing the nemes crown and with tasseled braid placed along the spine; mounted on a wooden display stand. 1.44 kg total, 25 wide including stand
From the private collection of a S.W. London gentleman, acquired in the 1970s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The most celebrated Sphinx in Egyptian mythology is the monument built near the pyramids as a protective symbol, to wish the pharaoh a peaceful afterlife. It has a leonine body and a human head. The Sphinx could be shown as male or female, depending on the pharaoh or queen it had to protect. The inclusion of sphinxes in temple complexes became a tradition lasting into the Roman period and Late Antiquity. Many pharaohs had their heads carved atop the guardian statues of their tombs, in part to show their close relationship with the powerful solar deity Sekhmet, a lioness. This cast bronze sphinx is a fine example of neoclassical sculptural art under the influence of Egyptomania and the renewed interest in the culture of ancient Egypt sparked by Napoleon’s Egyptian Campaign from 1798. At a time when only few could afford a trip to Egypt during the peak of Egyptomania contact could be made with Egyptian culture through literature, architecture and art. Particularly influential were Vivant Denon’s Voyage dans la Basse et la Haute Égypte, the Institute of Egypt's Description de l'Égypte, Robert Adams's interior decoration, Verdi’s Aida and the pedestal sphinxes protecting the obelisk of Tuthmosis III (Cleopatra's Needle). -
Stuart Period Lead Horn Book, a Child's Teaching Aid
17th century A.D.Sold for (Inc. bp): £72
Rectangular block with impressed seriffed letters to obverse; some letters displaced, J' and 'V' absent. 44 grams, 60 mm
Found East Anglia, UK. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
