Gilt Framed Set of Historical Prints

Each door a single board with graduated scalloped upper edge, horizontal wooden bars to the reverse, hand-forged iron hinge knuckles and D-section leader to left door; primed with tempera on both faces and painted on the obverse, each with a bottle-green field, blue-grey frontage with vermillion upper storey and gilt roof; Left Door: portion of city wall with tall, narrow building behind, balcony at the upper level with King David standing holding an unfurled scroll, wearing a gilt crown, vermillion tunic and blue mantle; before the wall a winged angel Gabriel holding a frond, wearing a draped mantle over ankle-length chiton and sandals; above, red painted legend 'BOUNA'; to the right edge, a D-section leader painted with red, white and blue diagonal stripes; Right Door: portion of city wall with tall, narrow building behind, balcony at the upper level with King Solomon standing holding a scroll and wearing a gilt crown, similar tunic and mantle to the other; dove descending towards Mary standing before the wall in front of a cushioned throne, with gilt nimbus around her head; red painted legend 'V E S T I R E' above; rare. 13.8 kg total, 132 x 34 cm each



Property of a London, UK, gentleman collector. Accompanied by a copy of a Romanian export licence. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12466-229954. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The 'royal doors' (Greek: Ωραία Πύλη) mark the entrance to the iconostasis (wooden screen hiding the altar) in an Eastern Orthodox church.

Mary portrayed with sorrow expression, seated on a marble bench, cradling the body of Jesus on her lap; the maphorion of Mary rendered in red carmine with geometrically shaped folds, embellished with a golden hem, lined internally in grey; the neck and throat of Mary covered by a white fabric, according to the fashion of the time; the haloes decorated with elaborate floral patterns, against a brilliant gold background; on the bottom, hooked rope used for lowering the body from the cross. 2.6 kg, 53 x 45.5 cm with frame

Vertical crack restored, areas of retouching

Acquired on the European art market. Private collection, London, UK. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12792-240886. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The painting belongs to the 16th century Veneto-Cretan School. The Venetians, masters of Crete since the 13th century AD, encouraged their Greek subjects to keep and develop their Christian religious traditions while at the same time bringing them into contact with intellectual trends current in Western Europe. The new artistic currents and the great Byzantine tradition were transferred to the Island which was able to adopt that tradition and create a new one. The icon painters were organised into a guild - the Scuola di San Luca - which promoted a specific post-Byzantine style through a system of instruction and apprenticeship which lasted for more than two centuries.

Modelled in the round standing on a circular base, dressed in full military gear and sandals, holding an eagle-topped standard in his right hand. 154 grams, 91 mm



Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of a Surrey, UK, gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.