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LOT 0028
Large Greek Geometric Terracotta Oinochoe with Swastikas
8TH CENTURY B.C.
14 in. (2.04 kg, 35.5 cm).
With flared mouth, wide neck, bulbous body and ring foot, painted in brown and red matte glaze; geometric pattern spread over several registers separated by bundles of encircling stripes, triangles with hatching inside them, neck with metopes containing swastikas, rosettes and rhombuses with a band of rhombuses beneath; the shoulder with five line friezes arranged one above the other; the body decorated with meander and a band of rhombuses and triangles with hatching below, a broad black stripe (in places reddish as a result of misfiring) to the lower part; transition to the ring foot and ring foot painted black; wide strap handle attached to the shoulder and painted on the outside with a wavy line framed by dots, edge stripes and three small stars, the connecting bar patterned with stripes; museum-quality restoration.
ProvenanceEx Madame P., Paris.
Accompanied by an academic report by Dr Raffaele D'Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12460-228686.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
Cf. for the shape of the oinochoe and its decoration with horizontal stripes Boardman, J., Early Greek Vase Painting, 11th - 6th Centuries BC. A Handbook, London, 1998, figs. 114 and 119; for a similar decorated oinochoe in the British Museum, accession no.1912.0522.1; the Saint Louis Art Museum, object number 172:1987.
FootnotesVessels of the Geometric period (900-700 BCE) are easily recognisable by their abstract decorative designs, which had their origin in woven textiles and baskets. While early period pottery typically has sparse geometric motifs on a black background, the amount of the decoration increased progressively to the point that objects from the late Geometric period are often entirely covered - in this example, even the strap handle.
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LOT 0028
Large Greek Geometric Terracotta Oinochoe with Swastikas
Estimate £5,000 - 7,000€5,800 - 8,120 (for guidance only)$6,750 - 9,450 (for guidance only)
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South Italian Painted Terracotta Wine Jug
4th-2nd century B.C.Sold for (Inc. bp): £338
Piriform with convex rim, lentoid-section handle and discoid foot; polychrome painted bands and lines decorating the equator and inner mouth, dash to handle. 227 grams, 13.5 cm high
Acquired in Europe before 1994. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato. -
Greek Period Bronze Arrowhead Collection
5th-3rd century B.C.Sold for (Inc. bp): £98
High-quality, triangular in section, with flanges and socket. 19.3 grams total, 24-36 mm
From an English collection formed before 2000. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato. -
Massive Archaic Greek Terracotta Statuette of a Seated Goddess Demeter
Late 6th century B.C.Estimate: £4,000 - 6,000 (‡+bp*)
Opening Bid: £1,710
Seated on a high-backed throne, wearing a polos headdress with two long braids falling from underneath the headdress, wearing a long chiton fastened by a belt, the left arm raised, possibly once holding a dove; well marked facial features, slightly almond-shaped large symmetrical eyes with slightly raised eyelids, straight nose, strongly pronounced mouth with fleshy lips and shallow ears; traces of brown slip, repaired. 2.02 kg, 57.7 cm
with H.A.C., Basel, prior 1999. Accompanied by a thermoluminescence analysis report no.N125a51 from Oxford Authentication. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12461-228712. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
One of the most typical 6th century B.C. terracotta female figurines was that of a standing or seated woman wearing a chiton and a himation over it. It was a votive figure offered at the shrines or temples, usually representing the goddess Demeter. Attica was one of the principal centres of figurine production, but Corinth continued to produce solid standing or seated females with moulded fronts and flat backs. The mass production of such terracotta was also typical of Magna Graecia.