Framed Indo-Persian Watercolour Painting

A pillow-shaped administrative clay tablet bearing cuneiform text to both principal faces, relating to a barley debt; Aramaic graffiti to one edge. 114 grams, 67 mm wide



Specialised collection of cuneiform texts, the property of a London gentleman and housed in London before 1992. Thence by descent to family members. Examined by Professor Wilfrid George Lambert FBA (1926-2011), historian, archaeologist, and specialist in Assyriology and Near Eastern archaeology, in the late 1980s and early 1990s. The collection is exceptional for the variety of types, including some very rare and well preserved examples.

The tablet records a promissory note of a typical kind to pay for barley. It concludes with the names of witnesses, town and date. The Aramaic script transcribes the cuneiform name of the debtor into Aramaic script, making it easier for scribes to identify who each tablet refers to. It dates to the Achaemenid period, to the reign of Artaxerxes I (465-424 B.C.). Such late administrative tablets are typically carelessly written, as is apparent on our example as some script has been rendered slanting sharply downwards.

A plano-convex chalcedony stamp seal bearing an incuse designs to the base comprising a zebu bull standing left, Pahlavi script above; pierced for suspension. 11.3 grams, 21 mm



Acquired 1969-1999. London collection of the late Mr S.M., thence by descent.

A watercolour painting showing scene composed of a figure being transported by four winged mythical creatures, two groups of onlookers seated in the landscape below; two columns of text below; mounted in a reveal and a glazed wooden frame. 1 kg, 48 x 30.2 cm

Fine condition.

Acquired on the UK art market, 1980s-1990s. The Woodbridge collection of Indo-Persian art.