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_900x900.jpg "Etruscan Votive Bronze Hand")
_200x200.jpg "Etruscan Votive Bronze Hand")
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LOT 0110
Etruscan Votive Bronze Hand
CIRCA 7TH-6TH CENTURY B.C.
4 5/8 in. (187 grams total, 11.8 cm high including stand).
Modelled in the half-round with D-section fingers, portion of cuff behind the thumb; mounted on a custom-made display stand.
ProvenanceAcquired on the German art market before 1992; thence by descent.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.13191-249245.
Cf. a similar votive hand in Christie's, Antiquities: Including Ancient Engraved Gems. Formerly in the G.Sangiorgi Collection Part IV, London, 2022, 7th December, no.33.
FootnotesVotive offerings gained increasing popularity throughout Etruria, southern Latium and later northern Campania from the 7th century B.C. onwards. Most gods were thought to possess the power to heal, and the sick flocked to their sanctuaries for a cure or to pray for future health. Usually, these dedications depicted the parts of the human anatomy that needed healing. The area of Vulci offered many graves in which pairs of hands cut from a sheet of bronze, rolled up at the base to form the wrist, have been found.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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LOT 0110
Etruscan Votive Bronze Hand
Estimate £1,800 - 2,400€2,090 - 2,780 (for guidance only)$2,430 - 3,240 (for guidance only)
Opening Bid
£900 (EUR 1,044; USD 1,215) ‡+BP*
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Iberian Bronze Statuette of Youth
6th-4th century B.C.Estimate: £3,000 - 4,000 (‡+bp*)
Opening Bid: £1,500
Youthful male standing, wearing a belted tunic with apron, arms spread wide, barefoot, bare-headed with short textured hair; mounted on a custom-made base. 215 grams total, 11.8 cm high including stand
Private collection, Paris, France, assembled in the 1950s-1960s. with Tessier-Sarrou & Associés, Paris, 2015. European private collection. Accompanied by a copy of an Art Loss Register certificate, no.S00107108. Accompanied by a copy of French cultural export passport no.167803. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate no.12650-264612.
This type of statuette demonstrates Phoenician influence on the Iberian Peninsula and relates to the 'warrior deity' type of Levantine origin, while also incorporating purely Iberian stylistic traits. Such works form part of the broader context of Near Eastern craftsmanship introduced to the Iberian Peninsula by the Phoenicians. -
Parthian Terracotta Bust of a Warrior
2nd century B.C.-2nd century A.D.Estimate: £50 - 70 (+bp*)
Opening Bid: £5
Moulded in high-relief with crested headgear, trimmed beard, large almond-shaped eyes and hatched fringe. 23 grams, 53 mm
From the private collection of a European gentleman (1942-2024), formed since the 1970s. -
Very Large Italo-Geometric Amphora with Two Handles
7th century B.C.Estimate: £2,500 - 3,500 (‡+bp*)
Opening Bid: £1,275
With ovoid body on a tall conical foot, ovoid body sloping steeply towards the neck with wide everted rim; applied geometric decoration in clusters of lines, broad stripes, dentil patterns, vertical zig-zags and hatched lozenges; at the shoulder, alternating metopes of saltires, quatrefoils and swastikas; one handle largely absent. 2.58 kg, 43.5 cm
Ex Prof. Kurt Alder, Riehen, acquired in October 1978; thence by descent. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.13512-263122.
By the last quarter of the 8th century B.C., the Oinotrian-Euboean production was diffused in the Greek Italic Colonies, characterised by larger vessels with elaborate figurative decoration similar to decoration known from Eretria. A detailed stylistic correspondence can be observed between the Cesnola-inspired fragments from the area north of the Daphnéphoros sanctuary of Apollo in Eretria and a decorated stand from the Timpone della Motta. With this elaborate series, the Oinotrian-Euboean production is consistent with the high craft specialisation observed in the local Euboeanizing production on Ischia.
