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LOT 0081
Etruscan Terracotta Satyr Antefix
4TH CENTURY B.C.
11 3/4 in. (6.77 kg total, 30 cm including stand).
D-shaped in profile with high-relief mask of a satyr within a looped frame; hanks of curling hair to the brow and temples with berries to the fillet, lentoid eyes, broad nose, curling moustache and beard; ledge below and arched ridge to the reverse; mounted on a custom-made stand.
ProvenanceAcquired from Faustus Ancient Art Ltd, London, 1990.
Private American collection.
with Christie’s, London, 27 October 2009, no 9.
Accompanied by copies of the relevant Christie's catalogue pages.
Accompanied by an academic report by Dr Raffaele D’Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12062-217441.
Cf. Torelli, M., Gli Etruschi, Monza, 2000, no.291, for a similar votive fictile head; Brøns, C., Skriver Hedegaard, S. and Sargent, M.L., ‘Painted Faces: Investigations of Polychromy on Etruscan Antefixes in the Ny Carlsberg Glyptotek’ in Etruscan Studies, 2016, 19 (1), pp.23-67, fig.17, for similar; cf. similar item with pigment in the British Museum under accession no.1893,0628.1.
FootnotesThe antefix belongs to the typical decorative scheme of alternating maenad and satyr head antefixes that were mainly produced in Cerveteri. Heads were often placed in temples and displayed identifying features such as wavy hair and large, almond-shaped lidded eyes, and were lavishly painted. These typologies of antefixes generally look quite similar and appear to have identical colour schemes with dark red skin, and with darker shade of red applied to the hair below the ears and on top of the head and inside the ears.
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LOT 0081
Etruscan Terracotta Satyr Antefix
Estimate £3,000 - 4,000€3,480 - 4,640 (for guidance only)$4,050 - 5,400 (for guidance only)
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Greek Bronze Male Figural Attachment
3rd-2nd century B.C.Sold for (Inc. bp): £111
Head and torso of a young male with emphasised pectoral muscles and bowl-cut hairstyle; tapering body; attachment loop to rear and socket to the neck; mounted on a custom-made display stand. 121 grams total, 86 mm including stand
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent. -
Large Corinthian Mortarium with Frieze of Swans and Lions
Archaic, circa 8th-7th century B.C.Sold for (Inc. bp): £364
Broad dished bowl with carinated profile, flat rim with slashed detailing, band of reserved advancing lions and swans; central panel roughened for grinding. 3.3 kg, 33.5 cm wide
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent. Accompanied by a thermoluminescence analysis report no.N124d55 from Oxford Authentication. -
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Monumental Greek Apulian Red-Figure Calyx-Krater
Late 4th century B.C.Estimate: £18,000 - 24,000 (‡+bp*)
Opening Bid: £10,000
With elegant fluted body, drum foot and elaborate up-swung handles, displaying polychrome panels on both sides, between a laurel wreath below the rim and a band of Greek meander motif; Side A: the hero Bellerophon riding Pegasus, wearing a Thessalian hat (petasos), depicted nude except for a cloak fastened at the centre of the neck by a round clasp, the hero towering above the other two mythological characters beneath him: Princess Filinoe, on the left, crowned and dressed in a long chiton, and King Iobates of Lycia, dressed in Persian fashion with a long sleeved red tunic worn under a long dress, the field with a representation of an altar, two palm branches over a volute krater, a shield, a javelin, a lotus flower, and above the hero a hanging shield and two clamydes; Side B: figure of a young beardless man, wrapped in a large cloak and holding a staff, with windows and floral scrolls on the background. 7.6 kg, 56 cm high
Acquired in the mid 1980s-1990s. From the family collection of Mr S.A., Switzerland, thence by descent. Private collection since the late 1990s. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12068-218200.
The decoration is very different on the two sides: on the main one, the painter has created a large mythological scene as if it was a summary. The scene comprising the famous hero Bellerophon riding Pegasus, the winged horse, flying above Iobates and his daughter (who will become the hero's wife). The king sent Bellerophon to perform impossible mission, among which the best known is the fight against the Chimera (monster with the body of a lion and a goat, with a snake's tail and two heads, one of a lion and the other of a goat).
