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LOT 0625
Etruscan Carnelian Scarab of a Charioteer in Gold Ring
3RD CENTURY B.C. AND LATER
1 in. (4.26 grams, 25.07 mm overall, 17.77 x 16.22 mm internal diameter (approximate size British O, USA 7, Europe 14.98, Japan 14)).
Opaque scaraboid engraved with a dynamic scene of a charioteer driving a biga with his whip raised; set in a sheet-gold mount and a later swivel ring; supplied with a museum-quality impression.
ProvenancePrivate English collection, formed between the late 1970s and early 1990s.
Private collection, UK.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12948-245985.
See The British Museum London, accession no.1872,0604.33, for a similar scarab, also retaining its original gold casing.
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AUCTIONS:
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LOT 0625
Etruscan Carnelian Scarab of a Charioteer in Gold Ring
Estimate £3,000 - 4,000€3,480 - 4,640 (for guidance only)$4,050 - 5,400 (for guidance only)
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Greek Terracotta Standing Figure
Archaic, 7th-5th century B.C.Sold for (Inc. bp): £468
Modelled in the round figure standing with arms raised, head tilted upward with shoulder-length hair and horned cap, collar to the throat with large disc closure, pectoral pendant on a stylised braided thong; mounted on a custom-made stand; possibly Cypriot workmanship. 277 grams total, 17 cm high including stand
Ex Ernest Ohly collection. Acquired from Woolley & Wallis, Wiltshire, UK, 20 May 2010, no.1010 (part). From an important Cambridgeshire estate; thence by descent. From the private collection of John Meredith, acquired since the 1990s; thence by descent. -
Parthian Faience Glazed Offering Chalice with Quadrupeds
Circa 3rd-1st century B.C.Sold for (Inc. bp): £546
Modelled in the round as two quadrupeds on a square base supporting a shallow bowl on a stem; the beasts with rope halter to the neck. 645 grams, 12.8 cm
Collected from 1979-1999. From the collection of the late Mr Shlomo Mousiaffee, London, UK. Acquired on the UK art market. Private collection, London, UK. -
Bronze Military Standard Finial of an Ibex
Transcaucasia, 13th-6th century B.C.Estimate: £8,000 - 10,000 (+bp*)
Opening Bid: £4,000
Wth a rounded body and prominent raised neck, a tubular muzzle with stylised eyes and ears and a small, slightly open mouth; a ring with a chain and a large carnelian sphere beneath the chin; a wide incised groove above the front legs, perhaps intended to represent muscles; a long slit beneath the abdomen; standing on a rectangular platform with a pin for insertion to a wooden shaft; accompanied by a custom-made display stand. 643 grams total, ibex: 15 cm high
Acquired in Vienna, Austria, in the 1990s. Collection of N.M., former Israeli Ambassador to Austria (1998–2000). Private collection, London. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13039-247908.
In Scythian art, the ibex was often depicted in dynamic ‘animal style’ symbolising life, strength, and perhaps cosmic struggles, potentially linked to seasonal cycles or fertility, showing its sacred status as a totem animal alongside mouflons. The realistically depicted posture of the animal testifies to the ancient masters' keenness of observation and of their skill in rendering the character of the animal in metal. The posture recalls more archaic (7th-6th century B.C.) animal style art found in the Tagar finials.
